Jun 24, 2026 | News
Kingston, Jamaica — Women in Film & Television Jamaica (WIFT-JA) is pleased to announce its newly elected Board of Directors for the 2026–2028 term, bringing together a dynamic group of filmmakers, producers, performers, educators, and creative industry leaders committed to strengthening Jamaica’s film, television, and digital media sectors.
The incoming board reflects the diversity, talent, and collaborative spirit of Jamaica’s creative industries, bringing together established professionals, mid-career leaders, and emerging voices, whose collective expertise spans production and post, education and arts management, cultural development, storytelling, and community engagement.
Leading the organization into its next chapter is newly elected President Natasha Griffiths, a screenwriter, director, educator and academic leader who develops compelling character-driven stories across film, television, and animation, while mentoring emerging storytellers and creative professionals. By her side is Vice President Ina Sotirova, an award-winning filmmaker, educator, and multimedia storyteller, whose work explores healing, culture, and social change through film, photography, and immersive experiences. Having served as Directors on the previous Board, the duo brings continuity, institutional knowledge, and a shared commitment to strengthening WIFT-JA’s impact and visibility, amplifying the voices of Caribbean women across the screen industries, and expanding opportunities for professional growth and leadership.
Joining them are a remarkable group of women whose collective experience reflects the breadth of Jamaica’s creative ecosystem. The five Directors elected to the board include film editor and brand and content strategist Alana Nelson, whose work spans narrative features, documentaries, and commercial productions in Jamaica and the United States; arts manager and cultural advocate Kathrine Johnson, who has supported creative sector development through strategic programmes and partnerships; and producer Kalia Ellis, whose credits include Bob Marley: One Love, Get Millie Black, Black Cake, and 007: Road to a Million.
Also joining the board are filmmaker, entrepreneur, and multidisciplinary artist Denia Morgan, whose work explores Caribbean culture, identity, memory, and belonging across film, writing, and handmade creative practice; and filmmaker Cylindian Goodchild, whose experience spans production, camera, casting, performance, and festival programming. Supporting the board in an advisory capacity is actress and producer Mitzie Pratt, a SAG-AFTRA and Actors’ Equity Association member whose work spans award-winning film, television, and theatre productions in both Jamaica and the United States.
Representing both established industry leadership and the next generation of Jamaican screen talent, this Board represents a unique blend of creative practice, industry experience, education,
advocacy, and cultural leadership. Collectively, their work has been recognized by organizations and platforms like the Sundance Institute, ScreenCraft, the British Council, UNICEF, HBO, Hulu, Prime Video, and Paramount Pictures, as well as leading academic institutions in Jamaica and the United States.
Reflecting on the Board Retreat held earlier this year, incoming President Natasha Griffiths shared that “we envision strengthening the role of the organization in not only celebrating women in screen media, but actively helping shape the future of the industry. We see WIFT-JA earning a permanent seat at key industry and policy tables, championing safe and equitable working environments, expanding opportunities for women in underrepresented roles, and strengthening the systems that allow creative professionals to build sustainable careers in Jamaica.”
At the heart of the Board’s vision is a commitment to strengthening WIFT-JA’s role as a hub for connection, mentorship, research, training, and international collaboration, fostering a thriving community of women creators with expanded access to opportunities at home, across the Caribbean, and around the world.
As Jamaica’s screen industries continue to grow and evolve, the new Board is committed to ensuring that women are not only participants, but continue to be leaders in shaping the future of film, television, and digital storytelling in Jamaica and across the Caribbean.
Jun 18, 2026 | News, Event
If you’ve ever tried to finance a film, stretch a limited budget, find local crew, secure locations, or navigate production logistics in an unfamiliar region, you’ve likely encountered one of the entertainment industry’s most valuable – and often misunderstood – resources: film commissions.
At Stage 32, we’ve spent years working with film commissions around the world, and one thing has become abundantly clear: the producers and filmmakers who understand how to leverage film commissions have a significant advantage.
That’s why I was so excited to announce Stage 32’s new partnership with the AFCI (Association of Film Commissioners International), which was recently featured in The Hollywood Reporter. Together, we’re working to educate both filmmakers and film commissions while helping strengthen the global production ecosystem.
But what does that mean for you as a WIFTI member?
It means understanding how film commissions can help get your projects made.
Film Commissions Are More Than Tax Incentives
When many filmmakers hear the words “film commission,” they immediately think of tax credits and rebates.
While those incentives can be incredibly valuable, they are only one piece of the puzzle.
Film commissions exist to attract and support production in their regions. Their success depends on helping productions succeed. As a result, many commissions provide resources that can save filmmakers both time and money.
Depending on the region, a film commission may help you:
- Identify filming locations
- Connect with local crew and vendors
- Navigate permitting processes
- Understand available incentives
- Access local production resources
- Introduce potential partners and stakeholders
- Evaluate whether a region is a good fit for your project
For independent producers especially, these resources can make the difference between a project moving forward or remaining stuck in development.
The Global Production Landscape Has Changed
Today’s productions are increasingly international.
Whether you’re pursuing a co-production, exploring global tax incentives, or simply trying to maximize production value on screen, understanding what different regions can offer has become an essential skill for producers.
The reality is that many filmmakers leave opportunities on the table because they don’t know what questions to ask or when to engage a film commission.
I’ve seen producers discover financing opportunities they didn’t know existed. I’ve seen productions find ideal locations they would never have considered. I’ve seen filmmakers build long-term relationships that continue paying dividends project after project.
All because they started a conversation with a film commission.
Why We’re Offering This Free Webinar
As part of our partnership with AFCI, Stage 32 is hosting a free webinar designed to help filmmakers, producers, and content creators better understand how film commissions operate and how to work with them effectively.
This isn’t a webinar for film commissioners.
It’s a webinar for you.
We’ll break down:
- What film commissions actually do
- How they support productions
- When to engage them during your project
- How to maximize the resources they offer
- Common mistakes filmmakers make
- Why film commissions have become increasingly important in today’s marketplace
Whether you’re developing your first feature, producing a documentary, creating a television series, or exploring international opportunities, understanding how to work with film commissions can become a powerful part of your producing toolkit.
Join Us
One of the things I love most about the global WIFTI community is that its members are constantly looking for ways to create more opportunities – not just for themselves, but for the projects and stories they want to bring into the world.
Film commissions can be an important partner in that journey.
I hope you’ll join us for this free conversation and discover how these organizations can help you make your next project stronger, smarter, and more financially viable.
I look forward to seeing you there!
Amanda Toney
Managing Director, Stage 32
May 29, 2026 | News
We’re delighted to share that WIFTI President and WFT Ireland Chair Dr. Susan Liddy has been re-elected as WIFTI President for a second term. Please see the official press release below –
Dr. Susan Liddy at the 2026 WIFTI Summit in Adare, Ireland. Picture: Olena Oleksienko/ilovelimerick
Dr. Susan Liddy Re-Elected President of Women in Film & Television International for Second Term
The re-election of Dr. Susan Liddy as President of Women in Film & Television International (WIFTI) for a further three-year term, commencing in September 2026, was officially announced at the Irish Pavilion during the recent Cannes Film Festival.
Dr. Liddy, who also serves as Chair of Women in Film & Television Ireland (WFT Ireland), has led the global organisation since 2023, overseeing a period of significant growth, international collaboration and expanded global reach across the screen industries. Her re-election marks a significant achievement for Ireland, reflecting the growing international influence of the Irish screen sector and Ireland’s leadership in advancing gender equality within the creative industries.
Representing a worldwide network spanning six continents and more than 80 chapters and affiliates across 6 continents. WIFTI works to advance gender equality and support women working across film, television and the wider media sector. During Dr. Liddy’s first term, the organisation welcomed a number of new chapters and affiliates, including groups from Europe, Africa and India, further strengthening WIFTI’s international network and commitment to inclusion and representation.
One of the major highlights of Dr. Liddy’s presidency was the hugely successful Women in Film & Television International Summit, hosted in Adare, Co. Limerick in February 2026. The landmark gathering brought together industry leaders, creatives and advocates from around the world for several days of discussion, networking and collaboration focused on equity, sustainability and the future of the global screen industries. The Summit further cemented Ireland’s reputation as a global hub for creative leadership and international collaboration.
Speaking at the Irish Pavilion at Cannes Film Festival, Dr. Susan Liddy said:
“I’m thrilled to continue in my role as President of WIFTI. We have ambitious plans to bring our chapters and affiliates closer together and to continue building meaningful international connections. In times like these especially, we are stronger together, and I believe passionately in the power of this global network to create lasting change for women working across the screen industries.”
Domizia De Rosa, Vice President of WIFTI, paid tribute to Dr. Liddy’s leadership, saying:
“I am delighted and grateful to Dr Liddy for agreeing to serve a second term as President. Her energy and determination will enable us to build on the excellent results of the recent WIFTI Summit, which I had the opportunity to attend in person and where I was able to witness first-hand the passion and professionalism of the Irish chapter, which Dr Liddy has been leading for over seven years”.
Kissy Dugan, Treasurer of WIFTI, praised the re-election, saying:
“Susan’s leadership over the past three years has been transformative for WIFTI. Her vision, diplomacy and unwavering commitment to gender equality have helped expand our global reach and deepen connections between chapters around the world. We are delighted she will continue to lead the organisation into this next exciting phase.”
Dr. Liddy is a respected academic, researcher and advocate for gender equality in the creative industries and has long been a leading voice in championing women’s representation, visibility and leadership within the screen sector, both in Ireland and internationally.
Under her continued presidency, WIFTI plans to further expand its international partnerships, strengthen collaboration between chapters and continue advocating for greater equality, opportunity and inclusion across the global screen industries.
About WIFTI
Women in Film & Television International (WIFTI) is a global network dedicated to advancing gender equality and professional development for women working across film, television and the screen industries. Established over 50 years ago, WIFTI now spans more than 80 chapters and affiliates across six continents, supporting international collaboration, advocacy, mentorship and leadership opportunities for women at all stages of their careers.
For press inquires, please contact info@wft.ie
May 5, 2026 | News, Event
Attending the 2026 Cannes International Film Festival? Join us for WIFTI’s Coffee Social on Friday, May 15, from 11:30 AM – 1:00 PM CEST!
Enjoy coffee, croissants, and great conversation with WIFTI members from chapters around the world.
🎟 Register by May 12 — ticket sales close at 1:00 PM CEST.
Your ticket includes access to the event and breakfast treats such as a coffee, selection of cold drinks, pastries and/or yoghurt with fruits.
Venue details will be provided in your ticket confirmation.
See you in Cannes! 🎬
RSVP & PAY HERE
Apr 8, 2026 | News
We are happy to announce that the Google Form for membership renewal is now live.
2026 WIFTI Membership Google Form
Renewing your membership ensures your chapter remains part of a global network working to support and advance women across the screen industries. Membership provides access to international collaboration opportunities, professional development resources, and participation in WIFTI programmes, as well as increased visibility and connection within the global community.
How to renew / join
- Chapter Presidents (or equivalent Executive Leader) must complete the membership form (sent via email as well)
- Submit updated chapter information
- Receive a PayPal payment link from WIFTI
- Pay the applicable membership fee
Membership is valid for one full calendar year.
To note, there has been an unavoidable system delay in collection which has now been remedied. To ensure our records are fully up to date, the form requests details covering the period from 2024 to 2026. We will invoice you as per the information provided in the form.
Action required:
We kindly ask that all Chapter and Partner Organisation Leaders (or equivalent Executive Leaders) complete the form by May 8th, 2026.
Your membership fees directly support WIFTI’s global advocacy, programmes, events, and resources that benefit all chapters.
Please refer to our membership page for further information.
If you are a Chapter or Affiliate head and have any questions, please get in touch membership@wifti.net.
Thank you for your continued engagement and support.
Mar 19, 2026 | News
One of the things I’m most proud of at Stage 32 is that we’ve built something that didn’t really exist before – a place where no matter where you live, you can learn directly from the people who are actually working in this industry right now.
We now have over 1.3 million members across 185+ countries, and what continues to set Stage 32 apart is the access. Every month, we’re bringing in showrunners, producers, executives, and creatives behind some of the biggest projects in film and television – not to speak in theory, but to share how things are really getting made, sold, and distributed today.
And this month we get to do something even more special.
On Tuesday, March 24th at 3pm PT, we’re hosting an exclusive live Q&A with HEATED RIVALRY showrunner Jacob Tierney, moderated by TV executive Anna Henry – and this is exactly the kind of opportunity that only happens inside the Stage 32 community.
Jacob is one of those creators who really understands how to build stories that connect. With HEATED RIVALRY, which he created, writes, directs, and executive produces, he’s continuing to prove how powerful character-driven storytelling can cut through in today’s market. He recently executive produced WAR PONY, which won the Caméra d’Or at Cannes, and he’s behind THE TRAITORS CANADA.
What I love about sessions like this is that they’re not surface-level. Jacob is going to talk honestly about his path to becoming a showrunner, how he develops and adapts material, and what it actually takes to create a series that buyers respond to. And with Anna guiding the conversation from an executive point of view, you’re also going to hear what the market is looking for right now – which is information that’s incredibly hard to get access to.
And importantly, this is interactive. You’ll be able to ask your own questions and get real answers you can take back to your own work.
You can register for the live Q&A here.
This is a live Q&A only and you must attend live.
Bonus: Breaking Down the HEATED RIVALRY Pilot
We’re also doing a free webinar where we break down the HEATED RIVALRY pilot episode, so you can really dig into how the story is structured and why it works.
Register for the pilot breakdown here.
At the end of the day, this is what we’re focused on at Stage 32 – giving you access to real conversations, with real people, about how this industry actually works.
And I truly believe that when you can get in the room (even virtually) with the people doing the work at a high level, it changes how you approach your own career.
I hope you’ll join us for this one.
Amanda Toney
Managing Director, Stage 32
