WIFTI Worldwide Webinar with Christin Baker

WIFTI Worldwide Webinar with Christin Baker

webinar with christin baker

Producing, Distributing & Social Impact with Christin Baker

 

// How to put underrepresented topics on the radar? What is it like to get your own production company and streaming service off the ground? How to find investors for your indie project? 

In this highly interactive webinar, we will meet Christin Baker who is an award-winning director, Emmy-nominated producer andchristin baker owner of Tello Films. Tello focuses on lesbian/queer content and is the first lesbian/queer network to receive an Emmy Nomination. The series Secs & EXECS has received a 2017 Emmy Nomination for Mindy Sterling, Outstanding Actress in a Short Form Comedy/Drama Series. In 2019 the series “Riley Parra” received 2 Emmy nominations for actresses Liz Vassey and Carolyn Ratteray.

Christin is passionate about telling relevant and meaningful original stories. Tello Films is the leader in distributing and creating original content (features, shorts and series) as well as creating a platform for monetizing niche entertainment. Christin was awarded Best Director for her work on Maybelle at the 2016 London Raindance Film Festival and is a member of the Producers Guild of America as well as the Television Academy of Motion Picture Arts & Sciences.

Join us for an inspiring talk on how to make your dreams reality!

christin baker wifti

Date: 14th June, 2021

Time: 9am PST / 12pm EST / 6pm CET

 

Register here!

Letter from Anna Serner to WIFT members & SFI’s Facts & Figures 2020

Letter from Anna Serner to WIFT members & SFI’s Facts & Figures 2020

SFI Facts and Figures

 

Letter from Anna Serner to WIFT members

Following our open letter thanking Anna Serner for her decade-long work for gender equality, Anna has sent us a response, amongst others also drawing on the Swedish Film Institute’s latest Facts & Figures report. Their work is beyond inspiring, but also nowhere near finished as Anna humbly acknowledges.

Read the report here.


Dear WIFT members,

I am proud to present Facts & Figures 2020, our yearly report providing a comprehensive insight into film in Sweden today. As you know, 2020 was a very challenging year for all of us. It affected the whole industry, Sweden included. Still, when it comes to gender equality things looked brighter.

The share of Swedish feature-length fiction films with funding from our commissioners that were directed by a woman was at 64%, with the same percentage for films with a female producer, and films with a female screenwriter was at 57%. Also, Swedish feature films released in 2020 had as many female leads as male leads, and 59% of all the feature-length fiction films of last year passed the Bechdel test. With this said, there is still a lot of inequalities when we put our intersectional glasses on. Gender equality means equality for all women, disregarding skin colour, sexual orientation, age etc, and it should apply to all budgets and genres.

I am still overwhelmed and deeply touched by your letter following my notice of resignation a few weeks ago. Thank you again, and thanks for all the work you do – every day. As I’ve said to some of you, I will stick around for another six month and I hope our paths will cross many times before and after that.

Warmest regards,
Anna Serner
CEO, The Swedish Film Institute

50 organisations celebrate Anna Serner alongside WIFTI

50 organisations celebrate Anna Serner alongside WIFTI

anna serner sfi

 

WIFTI joined by 50 Organisations in Open Letter to Anna Serner

 

After 10 years as CEO of the Swedish Film Institute, Anna Serner has handed in her resignation on 27 April, 2021.

Women in Film & Television International is grateful for and proud of Anna’s work for gender equality and inclusion in the global film industry, and we wish to express our admiration with this open letter signed by 50 international film organisations.

 

Dear Anna,

Thank you for your decade long commitment and work towards inclusion in the global film industry. It’s impossible to overstate the importance of your work for gender equality. Since taking the helm of The Swedish Film Institute in 2011, you’ve been an unwavering force for women at all levels of the industry. With your passion, dedication and clarity, you’ve led by example, and given us all hope, encouragement and strength.

When 50/50 by 2020 was introduced in Cannes in 2016, it became a global rallying cry – heard by film institutes, festivals, studios, companies and organizations on all continents. Since then, the industry has taken strides, but we still have a long way to go. We won’t stop. We won’t quit.

We all wish you the best of luck with your next endeavor and hope that we will be working with you again in the future.

In gratitude.

 

Your friends,

 

Helene Granqvist, Women in Film and Television International

Inya Lawal, Women in Film & Television Africa

Katrina Graham, Women in Film & Television Australia

Rubaiyat Hossain, Women in Film & Television Bangladesh

Nagila Guimares, Women in Film & Television Brasil

Susan Brinton, Women in Film & Television Canada

Tsiako Abesadze, Women in Film & Television Caucasus

Li Dan, Women in Film & Television China

Petra Terzi, Women in Film & Television Cyprus

Malene Flindt Pedersen, Women in Film & Television Denmark

Eeva-Sofia Anttonen, Women in Film & Television Finland

Nicole Ackermann, Women in Film & Television Germany

Rea Wallden, Women in Film & Television Greece

Anna Sæunn Ólafsdóttir, Women in Film & Television Iceland

Petrina d’Rozario, Women in Film & Television India

Dr. Susan Liddy, Women in Film & Television Ireland

Domizia De Rosa, Women in Film, Television & Media Italia

Kirsten Schaffer, Women in Film LA

Eva Brazdžionytė, Women in Film & Television Lithuanian Chapter

Cynthia Lopez, New York Women in Film & Television

Patricia Watson, Women in Film & TV New Zealand

Ingebjørg Torgersen, WIFT-Norway

Gabriel Baur & Stéphane Mitchell, SWAN Swiss Women’s Audiovisual Network

Caroline Ortmark, Women in Film & Television Sweden

Melissa Houghton, Women in Film & Video Washington DC

 

Paula Vaccaro, ARTEF – Anti-Racism Taskforce for European Film

Julie-Jeanne Régnault, EFAD – Association of European Film Agencies

Franklin Leonard, The Black List

Dr. Emilia Zenzile Roig, Center for Intersectional Justice Berlin

Delphyne Besse & Laurence Lascary, Collectif 5050

Deborah Williams, Creative Diversity Network

Nanna Frank Rasmussen, Chair of Danish Film Critic Association

Brigid O’Shea & Marion Schmidt, Documentary Association of Europe

Alessia Sonaglioni, EWA Network

Matthijs Wouter Knol, European Film Academy

Dennis Ruh, European Film Market

Kate Kinninmont, The f Word Media Company

Effie T. Brown, Gamechanger Films

Anna Möttölä, Helsinki International Film Festival – Love & Anarchy

Marge Liiske, Industry@Tallinn & Baltic Event

Anne Lajla Utsi, International Samí Film Institute

Gyda Velvin Myklebust, New Nordic Films Haugesund

Dögg Mósesdottír, Nordic Girls Shoot Iceland

Victoria Emslie, Primetime

T. Bhebhe, H. Currimbhoy, L. Mukerjee, P. Struthers, Programmers of Colour Collective

Stephanie Thogersen, Stockholm Feminist Film Festival

Tabitha Jackson & Keri Putnam, Sundance Institute

Dame Heather Rabbatts, TIME’S UP UK

Bérénice Vincent, Totem Films

Theo Lindberg, Trans and Non-binary Film Network

Bina Paul, Women in Cinema Collective

Melissa Silverstein, Women and Hollywood

Jan Miller, Women in View Canada

WIFT International congratulates Chloé Zhao!

WIFT International congratulates Chloé Zhao!

wifti academy awards chloe zhao

 

Historic Win! Chlóe Zhao wins Best Director at Academy Awards!

Women in Film and Television International (WIFTI) celebrates Chloé Zhao’s win at today’s Academy

Awards, for Best Director for feature film “Nomadland”. Zhao is the first Asian woman to receive the award for Best Director and just the second woman to win in the 93-year history of the Academy Awards.

WIFTI president Helene Granqvist comments, “Well done Chloé Zhao for taking out this year’s Academy Award for Best Director. We have been thrilled to watch Zhao breaking glass ceilings this year. It is our hope this inspires other women in the screen industry to feel encouraged and to continue to aim high.”

Zhao also made history as the first woman of Asian descent and second woman ever to win the Best Director award at the 78th Golden Globes hosted earlier this year.

The 2021 Director category was also significant because for the first time in history, more than one female filmmaker was nominated. Chloé Zhao and Emerald Fennell earned nominations for their films “Nomadland” and “Promising Young Woman,” respectively. Granqvist says “We are immensely proud to see two women nominated in this category – another first! We feel positive that soon we will see more of an equal representation across all categories, including Directing, for women.” Zhao is the second female filmmaker to win Best Director. Kathryn Bigelow was the first ever woman to win in 2010 for “The Hurt Locker. Before this year, only five female filmmakers have been nominated for best Director: Lina Wertmüller ( “Seven Beauties”, 1977), Jane Campion (“The Piano,” 1994), Sofia Coppola (“Lost in Translation,” 2004) Kathryn Bigelow (“The Hurt Locker, 2010) and Greta Gerwig (“Lady Bird,” 2018).

“Nomadland” is the third feature film from director Chloé Zhao – following the economic collapse of a company town in rural Nevada, Fern (Frances McDormand) packs her van and sets off on the road exploring a life outside of conventional society as a modern-day nomad.

The 93rd Academy Awards 2021, were hosted today Sunday April 25, in Los Angeles, honouring movies released in 2020.

Coffee Chat for Emerging Networks

Coffee Chat for Emerging Networks

WIFTI Coffee Chat Emerging Chapters

Coffee Chat for Emerging Networks

 

Are you new or in the starting phase of your WIFT network, and could do with some advice? Do you know a group of women who is currently forming and would like to get involved with WIFTI?

With great happiness, we have seen the emergence of new networks in many places around the world. In this coffee chat, we want to give everyone who just started off a chance to meet each other, ask questions and hear about experiences of more established organisations.

This will be an informal, welcoming meeting and we look forward to you and your group of worldchangers!

 

Date: Tuesday, April 20

Time: 10am EST / 4pm CET / 7pm IST Please check tools like worldtimebuddy to find the right time conversion for where you are.

Place: Zoom

 

Register here!

 

March 8 Short Film Showcase

March 8 Short Film Showcase

WIFTI Short Flm Showcase

Celebrate March 8 with us and join us for 48 hours of short films from around the world!

 

On International Women’s Day, you’re invited to travel the globe with an empowering short film showcase spanning 18 countries. Created by and centered on women, these stories will send you on a journey across continents and through time zones to experience the female gaze around the world. From navigating rites of passage, to challenging gender norms and negotiating power dynamics, the individuals in this collection question authority, overthrow others’ expectations, and succeed in taking ownership of their lives. A mosaic of animated, narrative and documentary works come together to reflect our unique perspectives and celebrate our shared wisdom.

March 8 WIFTI Showcase

 
Meet the curators

It’s an extraordinary joy and honour to have these short films curated by the programming team Lucy Mukerjee and Charlie Hidalgo, who share their perspective of the world through the camera lens with us.

Charlie Hidalgo is a Colombian trans man, filmmaker, film curator, and a graduate of the Canadian Film Centre’s Producers’ Lab.

Lucy Mukerjee is a queer British-Asian film curator, and a co-founder of the Programmers Of Colour Collective, comprising of 300 BIPOC film festival curators around the globe.

As inclusion activists, Charlie and Lucy formed Meraki Moving Pictures to empower queer and trans BIPOC storytellers and increase the visibility of marginalized voices in the media.

 

March 8 Curators

 

We also worked with our diversity partner Ceretai on analysing the films on women’s screen presence and speaking time:

 

WIFTI March 8 Analysis Ceretai