WIFTI Membership Renewals Now Open

WIFTI Membership Renewals Now Open

We are happy to announce that the Google Form for membership renewal is now live. 

2026 WIFTI Membership Google Form

Renewing your membership ensures your chapter remains part of a global network working to support and advance women across the screen industries. Membership provides access to international collaboration opportunities, professional development resources, and participation in WIFTI programmes, as well as increased visibility and connection within the global community.

How to renew / join 

  • Chapter Presidents (or equivalent Executive Leader) must complete the membership form (sent via email as well)
  • Submit updated chapter information
  • Receive a PayPal payment link from WIFTI
  • Pay the applicable membership fee

Membership is valid for one full calendar year.

To note, there has been an unavoidable system delay in collection which has now been remedied. To ensure our records are fully up to date, the form requests details covering the period from 2024 to 2026. We will invoice you as per the information provided in the form.

Action required:

We kindly ask that all Chapter and Partner Organisation Leaders (or equivalent Executive Leaders) complete the form by May 8th, 2026.

Your membership fees directly support WIFTI’s global advocacy, programmes, events, and resources that benefit all chapters.

Please refer to our membership page for further information. 

If you are a Chapter or Affiliate head and have any questions, please get in touch membership@wifti.net.

Thank you for your continued engagement and support.

Exclusive Opportunity for WIFTI Members: Inside HEATED RIVALRY with Creator & Showrunner Jacob Tierney

Exclusive Opportunity for WIFTI Members: Inside HEATED RIVALRY with Creator & Showrunner Jacob Tierney

One of the things I’m most proud of at Stage 32 is that we’ve built something that didn’t really exist before – a place where no matter where you live, you can learn directly from the people who are actually working in this industry right now.

We now have over 1.3 million members across 185+ countries, and what continues to set Stage 32 apart is the access. Every month, we’re bringing in showrunners, producers, executives, and creatives behind some of the biggest projects in film and television – not to speak in theory, but to share how things are really getting made, sold, and distributed today.

And this month we get to do something even more special.

On Tuesday, March 24th at 3pm PT, we’re hosting an exclusive live Q&A with HEATED RIVALRY showrunner Jacob Tierney, moderated by TV executive Anna Henry – and this is exactly the kind of opportunity that only happens inside the Stage 32 community.

Jacob is one of those creators who really understands how to build stories that connect. With HEATED RIVALRY, which he created, writes, directs, and executive produces, he’s continuing to prove how powerful character-driven storytelling can cut through in today’s market. He recently executive produced WAR PONY, which won the Caméra d’Or at Cannes, and he’s behind THE TRAITORS CANADA

What I love about sessions like this is that they’re not surface-level. Jacob is going to talk honestly about his path to becoming a showrunner, how he develops and adapts material, and what it actually takes to create a series that buyers respond to. And with Anna guiding the conversation from an executive point of view, you’re also going to hear what the market is looking for right now – which is information that’s incredibly hard to get access to.

And importantly, this is interactive. You’ll be able to ask your own questions and get real answers you can take back to your own work.

You can register for the live Q&A here.

This is a live Q&A only and you must attend live. 

Bonus: Breaking Down the HEATED RIVALRY Pilot

We’re also doing a free webinar where we break down the HEATED RIVALRY pilot episode, so you can really dig into how the story is structured and why it works.

Register for the pilot breakdown here.

At the end of the day, this is what we’re focused on at Stage 32 – giving you access to real conversations, with real people, about how this industry actually works.

And I truly believe that when you can get in the room (even virtually) with the people doing the work at a high level, it changes how you approach your own career.

I hope you’ll join us for this one.

Amanda Toney
Managing Director, Stage 32

Thank You for Making the 2026 WIFTI Summit a Resounding Success

Thank You for Making the 2026 WIFTI Summit a Resounding Success

Photo credit: From left to right Deirdre Ní Choistín, Director General, TG4; Désirée Finnegan, Chief Executive, Fís Éireann/Screen Ireland; Ruth Negga, BAFTA, Emmy, and Oscar-Nominated Actor (Passing, Presumed Innocent); Dr. Susan Liddy, President of WIFTI & Chair of WFT Ireland; Elizabeth Farrelly, Assistant Director, Media Development, Coimisiún na Meán (Irish Media Commission). (Photo by Brian Arthur)

The 2026 WIFTI Summit in Adare, Ireland brought together an extraordinary international community of creatives, industry leaders, advocates, policymakers and allies, united by a shared commitment to gender equality, collaboration and meaningful change across the screen industries. Over four inspiring days, the Summit fostered an open, honest and supportive space where participants felt encouraged to speak candidly, listen generously and connect across borders. The atmosphere was one of momentum and possibility – marked by thoughtful dialogue, ambitious ideas and new relationships that will continue to shape the work ahead.

Key Themes & Takeaways 

Across conversations, panels and informal exchanges, several themes emerged, identifying not only where the screen industries are now, but where they need to go next.

Gender Equality must move from intention to action with greater urgency. 

Progress has been made, but speakers consistently emphasised the need for focused implementation, more equitable budgets, inclusive hiring, long-term career support and clear accountability structures that embed gender equity into all aspects of the screen industries.

Collaboration strengthens global, national and local ecosystems

The Summit underscored the vital role of public funding, strong regional networks and international collaboration. Long-term sustainability depends on investing in local talent and infrastructure, while actively participating in global creative, cultural and production networks.

Technology is reshaping creativity

Advances in VFX, virtual production and digital platforms are transforming how stories are made, raising urgent questions around ethics, regulation, safety and creative control alongside innovation.

Voice, language and lived experience shape authentic storytelling 

The Summit reinforced the importance of representation on and off screen, including  minority and Indigenous languages. Access, identity and authorship were seen as central to reaching audiences with integrity. 

Visibility is key to long-term sustainability

From development to distribution, speakers returned to a shared truth: creators need ongoing support to sustain careers, rather than individual projects. Being seen  by audiences, funders and peers is essential.

Place matters

The Summit closed with a Creative Excursion hosted by Film in Limerick, offering delegates a guided tour of key regional locations including Troy Studios. This final session reinforced the importance of place, infrastructure and regional investment in supporting production, collaboration and future growth within Ireland’s screen industries.

Summit Programme & Speakers 

We are deeply grateful to all our speakers who so generously shared their time, expertise, and perspectives throughout the Summit. Across two days of conversation, debate, and exchange, our panellists brought insight, honesty and lived experience to the forefront, challenging assumptions, sharing hard-won knowledge, and offering practical pathways for change.

Thursday 5 February 

From left to right Deirdre Ní Choistín, Director General, TG4; Désirée Finnegan, Chief Executive, Fís Éireann/Screen Ireland; Ruth Negga, BAFTA, Emmy, and Oscar-Nominated Actor (Passing, Presumed Innocent); Dr. Susan Liddy, President of WIFTI & Chair of WFT Ireland; Elizabeth Farrelly, Assistant Director, Media Development, Coimisiún na Meán (Irish Media Commission). (Photo by Brian Arthur)

Summit Launch

Welcome: Dr Susan Liddy – President Women in Film and Television International & Chair WFT Ireland

Deirdre Ní Choistín – Director General, TG4

Désirée Finnegan – Chief Executive, Fís Éireann/Screen Ireland

Ruth Negga – BAFTA, Emmy, and Oscar-Nominated Actor (Passing, Presumed Innocent)

Elizabeth Farrelly – Assistant Director, Media Development, Coimisiún na Meán


Voices of Change: Pioneering Equity in the Screen Industries

Moderator: Dr. Susan Liddy – President, WIFTI; Chair, WFT Ireland

Anna Serner – CEO, Center for Investigative Journalism and Former CEO, Swedish Film Institute

Iris Zappe-Heller – Deputy Director, Austrian Film Institute

Lisa French – Professor, RMIT University, Melbourne, Australia

Liselott Forsman – CEO, Nordisk Film & TV Fond and Producer

Niamh Fagan – Project Manager Feature Film, Fís Éireann / Screen Ireland

Valerie Creighton – President & CEO, C.M., S.O.M., Canada Media Fund

Beyond Borders: How Irish Co-Productions Are Shaping Global Storytelling

Moderator: Lesley McKimm – Producer (Whistleblower, It’s Not Yet Dark, Greta)

Aisha Tyler – Actor, Producer, Director (The Walking Dead, Criminal Minds, I Hope We Can Still Be Friends), CEO Hot Machine Films

Máire Ní Chonláin – Commissioning Editor, TG4; Executive Producer (An Cailín Ciúin / The Quiet Girl, CRÁ, Frewaka)

Sinead McHugh – Partner, Film, TV & Media, Head of Dublin Office, Saffery

Teresa McGrane – COO, Wild Atlantic Pictures (Kneecap, Saipan)

Behind the Pixels: Women Leading VFX & Virtual Production

Moderator: Deborah Doherty – Elephant Goldfish VFX & Post-Production; Managing Director & Executive Producer; WFT Ireland Board Member

Clare Cheetham – Emmy Award-Winning Executive VFX Producer, Crafty Apes (The Martian, Chernobyl)

Eranka Weerasuryia – Head of Virtual Production, Studio Ulster (Avatar: The Last Airbender, Squid Game) 

May Leung – Independent VFX Supervisor (The Witcher: Blood Origins, Fountain of Youth)

 

Fireside Chat with Ruth Negga

An intimate fireside conversation with BAFTA, Emmy, and Oscar-nominated actor Ruth Negga reflecting on her extraordinary career to date and offering a glimpse into her future creative plans.Moderator:

Aoife Barry – Freelance Writer, Broadcaster & Arts Journalist

Cultural Event in Adare Village

Alongside the panel programme, delegates gathered for a memorable cultural evening in Adare Village, creating space for connection in a uniquely Irish setting. The night began at Bill Chawkes Bar with an Irish Coffee experience presented by the Foynes Flying Boat & Maritime Museum, before continuing with traditional music at Aunty Lena’s Pub. We extend our warm thanks to all who hosted and welcomed our delegates for such a special evening.

 

Friday 6 February


Threats and Shifts: Navigating the New Frontlines of Equality in the Screen Industries

Moderator: Katie Bailiff – CEO, Women in Film and Television UK

Almudena Carracedo (via Zoom) – Filmmaker & Asociación de Mujeres Cineastas y de Medios Audiovisuales (CIMA) Board Member

Professor Debbie Ging – Professor of Digital Media and Gender, Dublin City University

Domizia De Rosa – President, WIFTM Italia; Vice President, WIFTI

Dame Heather Rabbatts – Chair, Time’s Up UK


Voices of the Unheard: Storytelling and Identity in Minority Language

Moderator: Gemma Ní Chionnaith – TV Broadcaster, TG4

Anne Lajla Utsi (zoom) – Managing Director, International Sámi Film Institute

Deirbhile Ní Churraighin – Commissioning Editor, TG4

Gwenllian Gravelle – Head of Film & Drama, S4C

Kerry Swanson – CEO, Canadian Indigenous Screen Office


From Market to Audience: Getting Your Project Seen

Moderator: Kissy Dugan – Screenwriter & Producer; WIFTI Executive Board Member

Gretchen McGowan – Emmy Award-Winning Producer & Goldcrest Films (Back to Black, Carol), NYWIFT Board Member

Jenn Brown – Executive Director, St. John’s International Women’s Film Festival

Kelly Leugenbiehl – Co-Founder, Shorties Studios (Ex Netflix, Disney, NBCU)

 


Driving Real Change in the Screen Industries

Moderator: Gretchen McGowan – Emmy Award-Winning Producer & Goldcrest Films (Back to Black, Carol), NYWIFT Board Member

Ailish Bracken – Chair, Raising Films Ireland

Liza Truschel – Managing Director, The Writers Lab UK

Max Brady – Chair, GEDI Committee, Screen Producers Ireland

Mia Bays – Director, BFI Filmmaking Fund


Seen and Unseen: Women’s Creative Journeys On and Off Screen

Moderator: Maikiko James – Deputy Director, WIF LA

Aisha Tyler – Actor, Producer, Director (The Walking Dead, Criminal Minds, I Hope We Can Still Be Friends), CEO Hot Machine Films

Dearbhla Walsh – Emmy, BAFTA and IFTA Award-Winning Director (Little Dorrit, The Handmaid’s Tale, Fargo, Bad Sisters, Margo’s Got Money Troubles)

Guneet Monga Kapoor – Oscar-Winning Producer Producer (The Lunchbox, The Elephant Whisperers)

Ruth Negga – BAFTA, Emmy and Oscar-Nominated Actor (Passing, Presumed Innocent)

Úna Ní Dhonghaíle ACE, BFE – BAFTA and IFTA-Winning Editor (The Crown, Belfast, Paddington in Peru)

 

Our Sponsors 

The 2026 WIFTI Summit was made possible through the generous support of our partners. We extend our sincere thanks to: 

Fís Éireann / Screen Ireland
Coimisiún na Meán
TG4
Saffery
National Talent Academies
Local Enterprise Office Limerick
Screen Producers Ireland
Film in Limerick
Fáilte Ireland
Wild Atlantic Pictures
Canada Media Fund
Elephant Goldfish / Molinare Creative Group
Women in Film and Television UK
Shannon Region Conference and Sports Bureau
Creative Europe Desk Ireland
Media Insurance Brokers (part of Howden)
Raising Films Ireland

Event & Delivery Partners 

We extend our sincere thanks to all those who supported the delivery of the 2026 WIFTI Summit. In particular, we wish to acknowledge Sync & Swim Creative Marketing & Strategic Communications, whose guidance and hands-on support were instrumental to the Summit’s success. We are also grateful to Fitzgeralds Woodlands House Hotel & Spa for being an exceptional host venue, providing care, flexibility and attention to detail throughout the planning and delivery of the event. Our thanks to Archetype Events, Gore Communications, Lean on Lee, AVC Ltd and I Love Limerick for their contributions across event coordination, technical delivery, PR and media coverage. We extend special thanks to the Board and staff of WFT Ireland, specifically Meaghan Lee- Erlandsen, and to the Board of WIFTI, whose support underpinned the success of the Summit. Finally, we are thankful to Emma Langford and her musicians, and to Louise Bruton, for bringing warmth, energy and celebration to the Summit’s social moments.

 

What’s Next 

The conversations sparked at the 2026 WIFTI Summit are only the beginning.

In the months ahead, Women in Film and Television International and Women in Film & Television Ireland will continue to build on the ideas, connections and shared energy that emerged in Adare – through future events, new programmes, advocacy and ongoing international collaboration.

This Summit marks an inspiring and powerful launching point. We are committed to building on this momentum together.

 

Photo Gallery

Browse our collection of photos below. More images will be added and shared soon.

 

 

Exciting Stage 32 Education Opportunities for WIFTI Members: Dive into Vertical Storytelling

Exciting Stage 32 Education Opportunities for WIFTI Members: Dive into Vertical Storytelling

Hello Women in Film & Television International Members,

As we continue to build on our exciting new global collaboration between Stage 32 and WIFTI, I’m thrilled to highlight some of the fresh, topical education available through Stage 32 that you can access at exclusive member discounts. One of the hottest topics right now in the entertainment industry is vertical storytelling – the fast-paced, mobile-first format that’s exploding into a legitimate marketplace for building IP, engaging audiences, and advancing careers.

What started as an emerging format has quickly become a real opportunity for writers, filmmakers, and producers to create compelling content tailored for vertical viewing on phones. These micro-dramas and short-form vertical series are driving massive engagement, especially in genres like drama, romance, and thrillers, and they’re opening new doors for diverse creators.

Stage 32 has been at the forefront with recent webinars led by top industry experts who are actively shaping this space. Here are a few standout sessions that are perfect for WIFTI members looking to explore this trend:

Understanding Vertical Storytelling “Verticals” 101

Taught by Ammon Lyle, Senior Vice President of Production & Partnerships at Mansa, where he leads the Vertical Originals Division. Ammon brings an impressive background from major players like The Walt Disney Company, Amazon Prime Video, Audible, and previously ReelShort, where he specialized in high-engagement vertical micro-dramas. He’s managed multi-million-dollar deals, driven content acquisition, and overseen production across TV, film, and digital platforms—making him one of the most knowledgeable voices on why verticals are booming and how to succeed in this format.

In this on-demand webinar, you’ll get a comprehensive introduction to vertical storytelling: what defines a “vertical,” how it differs from traditional media, who’s watching and engaging, and the creative and production essentials for launching your own series. You’ll walk away with a clear roadmap for creating, producing, and launching vertical content, plus a sample episode script to kickstart your ideas.

Learn more and enroll here

How to Write Vertical Micro Drama Scripts

Also taught by Ammon Lyle, this session dives deeper into the craft side. You’ll explore why vertical micro-dramas are gaining massive traction, how to structure addictive short-form scripts that hook viewers instantly, and techniques for pacing, emotional beats, and binge-worthy storytelling optimized for mobile screens. By the end, you’ll know how to write, structure, and pitch your own micro-dramas, complete with a 1-page Micro Drama Script Starter template for a 2-minute episode.

Learn more and enroll here

Verticals: How to Package and Protect Your IP

Led by Jackie Ward, Senior Associate at Ramo Law, a star in entertainment law with expertise in structuring deals for independent film, TV, podcasts, and emerging digital platforms such as verticals. Jackie has a solutions-first approach, blending creative vision with precise legal frameworks. Before joining Ramo, she handled production, financing, and distribution counsel across various media. She’s also proud to represent Breaking Through the Lens, a non-profit supporting marginalized filmmakers through grants, mentorship, and industry connections.

This webinar gives an insider’s view on the business realities of vertical projects: how to package and position your IP, navigate deals and partnerships, protect your rights, and understand the platform landscape. It includes a downloadable Vertical Packaging & Platform Landscape Map and insights from dealmakers negotiating these agreements daily – essential for turning your creative work into viable, protected opportunities.

Learn more and enroll here

These webinars showcase why vertical storytelling is more than a trend—it’s a powerful way to combine strong, emotional narratives with real industry momentum in a mobile-driven world. Whether you’re a screenwriter crafting hooks that keep viewers swiping, a producer packaging projects, or simply curious about new pathways, these sessions provide practical, immediately applicable tools from professionals deeply embedded in the space.

As a WIFTI member, you can take advantage of your exclusive discounts. Please check your inboxes or contact your chapter heads to access these codes. 

If you’re experimenting with vertical formats or considering your next project in this space, we’d love to hear from you! Feel free to email me at edu@stage32.com with questions, ideas, or to share your experiences.

We’re committed to bringing you education that keeps you ahead of the curve and helps turn your vision into opportunity. Let’s keep supporting women and gender-diverse creators worldwide to thrive!

Cheers,

Amanda Toney

Managing Director, Stage 32

Introducing Stage 32 Education + Your WIFTI Discount Code

Introducing Stage 32 Education + Your WIFTI Discount Code

Hello Women in Film & Television Members,

We’re thrilled to officially welcome you into a brand-new global collaboration between Stage 32 and Women in Film & Television International (WIFTI). This partnership has just been announced, and we are incredibly excited to begin supporting WIFTI members around the world with expanded access to professional, industry-led education.

Through this new partnership with WIFTI leadership, we’re bringing accessible, career-focused education directly to you and your members, wherever you are in the world — helping creatives at every stage build skills, confidence, and momentum in today’s global entertainment industry.

What Is Stage 32 Education?

For over 14 years, Stage 32 has been delivering relevant, actionable, and timely entertainment industry education to creatives and professionals worldwide. Our webinars, classes, and labs are taught by world-class educators who are actively working in the business right now, so what you learn is immediately applicable to your career.

As a result, Stage 32 has built the world’s largest online entertainment education library with more than 3,000 hours of programming.

Our education partners include Netflix, Cannes Marché du Film, American Film Market (AFM), Canon, United Airlines, Bloomberg, Variety, dozens of film commissions, film festivals, and more. Stage 32 Education has also been featured in Deadline, Variety, The Hollywood Reporter, Indiewire, SCREEN, Forbes, Inc., Fast Company, The Atlantic, Entrepreneur, CNN, CNBC, FOX, and many others.

Stage 32 Education is also utilized by studios, streamers, networks, production companies, development executives, film commissions, and global organizations to train their teams and regional creative communities.

Learn in the Format That Fits Your Life

Through Stage 32 Education, you can choose from multiple learning paths depending on your goals:

  • Webinars – 90- to 120-minute online sessions covering specific topics like screenwriting, financing, pitching, production tools, or career insights. These are offered live and on demand. In the live version, your instructor will teach for approximately 60-75 minutes and then take questions from the live audience.
  • Classes – more in-depth online courses, usually run 2-4 sessions (either over consecutive days or weeks) that dive deeper into craft or business areas  and are generally about 2 hours per session.
  • Labs – intensive small-group programs, ranging from 6-14 sessions, focused on achieving a specific goal (e.g., finishing a script or building a project package), with one-on-one mentoring time included. Labs are limited to a certain number of students to keep the sessions intimate and productive.
  • Certification Programs – structured programs that, upon completion, grant a Stage 32 Certification badge and entry into a global database of trained professionals

Our Certification Programs go beyond education — they provide professional recognition. Once certified, you are entered into a global database accessible to our partner film commissions and organizations who are actively searching for trained professionals to work on their projects. It’s an opportunity to gain skills, credibility, and visibility all at once.

FAQ: Learn more about Stage 32 Education here

Exclusive WIFTI Member Discounts

As part of this new global collaboration and official education partnership, WIFTI members now receive:

  • 20% off all Stage 32 Webinars, Classes, and Labs
  • 50% off all Stage 32 Certification Programs
Members should check their inboxes or contact their chapter heads for the exclusive discount codes.

Our Mission

The mission of Stage 32 is to democratize the global entertainment industry by leveling the playing field for creatives and business professionals everywhere. We do this by offering a safe, like-minded community, world-class education, certification opportunities, and a marketplace that connects content creators with decision-makers.

Together, through this partnership with WIFTI, we are not just offering education — we are creating pathways, opening doors, and supporting women and gender-diverse creators around the world to thrive in today’s global entertainment landscape. Be on the lookout for highlights I’ll be sharing frequently for your chapter through the WIFTI page.

We can’t wait to learn with you and support your next chapter.

Cheers!

Amanda Toney

Managing Director, Stage 32

WIFT Germany Hosting an Exciting Event at Berlinale 2026

We are thrilled to share that our wonderful German Chapter will be hosting an exciting event at Berlinale 2026! Spots are limited but it’s not too late to get your name on the waitlist. You can secure your spot HERE. See below for more details:

Meet Amanda Toney from Stage 32 + Exciting Stage 32 Updates!

Meet Amanda Toney from Stage 32 + Exciting Stage 32 Updates!

Picture Caption: Left to right Amanda Tony (Stage 32), Dr Susan Liddy (President WIFTI) and Kissy Dugan (Screenwriter & WIFTI Executive

Hello, everyone! I’m Amanda Toney, Managing Director of Stage 32 and a feature film and television producer, and I couldn’t be more thrilled to connect with you all. Over the years, I’ve had the absolute privilege of collaborating with so many incredible chapters of Women in Film globally – from Los Angeles to Australia, Jamaica to Poland, and beyond. These partnerships have been nothing short of inspiring, as I’ve witnessed firsthand the passion, resilience, and creativity that define our shared communities. Seeing your stories come to life across global stages has been a highlight of my career, reminding me why we all do what we do: to amplify voices that deserve to be heard.

This past year, we’ve had the opportunity to work with the incredible leadership of WIFTI – President of WIFTI Dr Susan Liddy, Domizia De Rosa, Kissy Dugan, Serena Mmifinyana, and Lauren Simpson, on creating a synergy that was long in the making between our organizations.

Today, I’m proud to announce an exciting new chapter in our shared journey – one that levels up women and gender diverse practitioners around the world through accessible, high-quality education. Stage 32 is thrilled to partner with Women in Film and Television International (WIFTI) to bring our innovative education programs directly to you and your members. At Stage 32, we’ve always believed in empowering storytellers like you with the tools, knowledge, and connections needed to thrive in this dynamic industry. Our platform has grown into a global hub for filmmakers, boasting partnerships with industry giants like Netflix, Cannes, AFM, Bloomberg, Canon, and over 50 film commissions worldwide. These collaborations aren’t just names on a list – they’re a testament to our commitment to real-world, practical education that bridges the gap between aspiration and achievement.

As part of this partnership, all WIFT members will receive an exclusive 50% discount on our Stage 32 Certification programs. These certifications are designed to equip you with cutting-edge skills in everything from screenwriting and producing to directing and post-production, all while fitting into your busy life. Whether you’re honing your craft, building your network, or advancing your career, our programs are your gateway to the next level – as highlighted in this recent Forbes article: Meet Stage 32, The Future Of Film School, And Career Education. Once certified, you will be entered into a global database that is accessible by our over 50 partner film commissions and organizations searching for talent to work on their projects. Imagine gaining credentials that open doors, backed by a community that’s as invested in your success as you are.

We’ll be sending unique coupon codes to each chapter shortly ahead of the WIFTI Summit in Ireland, so you can easily share them with your membership. To explore our certification offerings and get started, head over to our public dashboard here: Stage 32 Certification. This is more than just a discount – it’s an invitation to invest in yourself, to dream bigger, and to join a movement that’s transforming the future of film. And, WIFTI members will also receive 20% off all webinars, classes, and labs in the Stage 32 education library – you can choose from over 3,000 hours of entertainment industry education taught by leaders from around the world.

You are the heart of this industry, the trailblazers who inspire change and create magic on screen. Together, through this partnership, we’re not just educating; we’re elevating women and gender diverse people everywhere.

I look forward to checking in with you periodically to talk about education that can help you level up. I can’t wait to see what you achieve next.

With pride and excitement,

Amanda Toney

Managing Director, Stage 32

Joining our Speaker Line-up are…

Joining our Speaker Line-up are…

We’ are delighted to welcome Ruth Negga (Oscar and Emmy-nominated actress) and Aisha Tyler (award-winning actress, producer, director, Criminal Minds, The Walking Dead) to the growing speaker programme for the 2026 WIFTI Summit!

We can’t wait for the inspiring panels and discussions ahead – join us in giving them a very warm welcome, and be part of an unforgettable few days in Adare this February!

🎟 DAILY tickets now available:

We’re delighted to announce that you can now join us at the WIFTI Summit 2026 with daily tickets, if you’re unable to attend the full four days.

📅 Thursday 5th February

📅 Friday 6th February

Secure your place:
https://www.eventbrite.ie/e/wifti-summit-2026-tickets-1817949418649

 

Learn more about Ruth Negga and Aisha Tyler‘s incredible work:

Ruth Negga

Oscar- and Emmy-Nominated Actor

Ruth can recently be seen starring opposite Jake Gyllenhaal in Apple’s remake of Presumed Innocent, adapted by David E. Kelley. She has received nominations at the Independent Spirit and IFTA awards for her performance. She also recently starred in Dan Levy’s directorial debut Good Grief for Netflix. 

Ruth was nominated in 2022 for a Tony Award for Best Actress in a Play for her portrayal of ‘Lady Macbeth’ in her Broadway debut opposite Daniel Craig in Sam Gold’s Macbeth. Previously, she was nominated for an Academy Award for Best Actress in a Motion Picture for her role in Loving opposite Joel Edgerton, which Jeff Nichols wrote and directed. Ruth’s performance in the film earned her several other Best Actress nominations at the BAFTAs, Film Independent Spirit Awards and SAG Awards.

Ruth can also be seen in the feature film Passing for Netflix opposite Tessa Thompson, adapted for the screen and directed by Rebecca Hall. She won the Independent Spirit Award for her performance and received Golden Globe and BAFTA nominations for Best Supporting Actress. She also previously starred opposite Brad Pitt in the Plan B/New Regency film Ad Astra, which James Gray wrote and directed. 

On the small screen, Ruth starred as ‘Tulip O’Hare’ in the critically acclaimed AMC series Preacher, which Seth Rogen and Evan Goldberg executive produced. She received rave reviews for her electrifying turn as the unpredictable and volatile ‘Tulip,’ a gifted criminal who is not afraid to steal, cheat or kill to get what she wants. In addition, Ruth won the Irish Film and Television Academy Award for Best Actress in 2012 for her portrayal of ‘Shirley Bassey’ in the TV movie Shirley. 

Ruth previously performed as the Prince of Denmark in Yael Farber’s take on the Shakespearian play Hamlet. After an acclaimed sold-out run in October 2019 at The Gate Theatre in Dublin, Ruth reprised the titular role in her American stage debut in February 2020 at St. Ann’s Warehouse in Brooklyn, New York. Ruth and the production received stellar reviews and she was nominated for a Drama Desk Award.

 

Aisha Tyler

Award-winning actor, director, producer (Criminal Minds, The Walking Dead), CEO of Hot Machine Films

Aisha Tyler is an award-winning director, actor, New York Times bestselling author, comedian, podcaster, and entrepreneur. She is also an Emmy-winning television host and a multiple award-winning voice actor for Archer. Her feature directorial debut, AXIS, won Outstanding Achievement in Feature Filmmaking at the 2017 Newport Beach Film Festival and was named “Best of the Fest” at the Sarasota Film Festival. Her second feature film, I Hope We Can Still Be Friends, had its world premiere at the Galway Film Fleadh, and was included at the Newport Beach Film Festival in 2025. Aisha has directed multiple hit television shows, including The Walking Dead, Fear the Walking Dead, Roswell, New Mexico, Evil, The Wonder Years, Criminal Minds, and Criminal Minds: Evolution.

 

Revisit our previously announced lineup further down the page to see the breadth of voices already confirmed.

May Leung

Visual Effects Supervisor: Inception, The Dark Knight Rises, Bohemian Rhapsody

May Leung is a Visual Effects Supervisor with over 25 years of experience in Film and HETV, with credits in Oscar Award winning films such as Inception, The Dark Knight Rises and Bohemian Rhapsody in which she obtained a Nomination for Outstanding Supporting Visual Effects in a Photoreal Feature from the Visual Effects Society.

May Leung is an experienced visual effects (VFX) supervisor and emerging producer with over 25 years in the film and television industry. Based in London, she has worked on a wide range of high-profile and critically acclaimed productions. Her notable credits include Spy Kids: Armageddon, where she served as VFX Supervisor as well as  Bohemian Rhapsody both vendor side VFX Supervisor and onset 2nd Unit VFX Supervisor. She also worked as Production VFX Supervisor on The Witcher: Blood Origin as well as Horizon Line. Earlier in her career, she contributed to major films such as Inception, The Hunger Games: Catching Fire, The Dark Knight Rises, and several Harry Potter titles in lead roles. May has recently completed work in several projects, including Fountain of Youth and The Magic Faraway Tree, 100% Organic (short film in post-production) as well with several projects in development:  Cold Enough for Snow (Feature, Producer), Alice, An Immersive Experience (Producer), A Light In The Dark (Feature, Producer) and Sutter’s Point (Feature, Producer). Her consistent contributions to major studio productions underline her industry recognition and credibility. She is also featured on professional platforms like ScreenSkills and Primetime, reflecting her leadership in the VFX field and her expanding role as a producer.

 

Niamh Fagan

Project Manager Feature Film, Fís Éireann / Screen Ireland

With almost 30 years’ experience in the film and television industry, Niamh Fagan started out working in feature film cutting rooms in Dublin, London & Los Angeles, learning the craft of storytelling and filmmaking from Oscar winning editors and directors. From being an accomplished editor, Niamh gravitated toward developing and producing award-winning TV comedy and drama series for RTÉ, BBC & TG4.

 In 2019, Niamh produced international multi-award-winning feature documentary Shooting the Mafia, which had its World Premiere at the World Cinema Documentary Competition at the Sundance Film Festival and had its European Premiere in the Panorama section at the Berlinale Film festival. Niamh is currently working for Screen Ireland, Ireland’s National Screen Agency as Project Manager across a busy slate of Film, Documentary and TV Drama.

 

Domizia De Rosa

Founding member & President of Women in Film, Television & Media Italy; Vice President, WIFT International

Domizia De Rosa is a founding member and President of Women in Film, Television & Media Italy and Vice President of WIFT International. She teaches as an adjunct professor at the Università Cattolica del Sacro Cuore (Catholic University of the Sacred Heart) in Milan and at NABA – Nuova Accademia di Belle Arti (New Academy of Fine Arts) in Rome. Previously she held several roles including Executive Director, Television at Warner Bros. Entertainment Italia, a company she joined in 1995. Her research interests are: gender media studies, visual cultures and production studies.

 

Kelly Luegenbiehl

Co-Founder, Shorties Studios (Ex Netflix, Disney, NBCU)

Kelly Luegenbiehl is a trailblazing media leader who has had a defining impact on the global entertainment industry. At Netflix, as Vice President of Franchise and Spectacle Series, she was the guiding force behind the global phenomenon The Witcher, propelling it into one of the top 10 most-watched shows globally. As Vice President of International Originals and Vice President of Europe, Middle East and Africa (EMEA) at Netflix, she spearheaded the company’s groundbreaking push into international markets and local-language originals, a strategic initiative that revolutionized the way content was created and consumed globally. Under her leadership, viewership of non-English programming on Netflix surged by 50% in the U.S. alone between 2017 and 2021. Kelly was responsible for hit series including “The Witcher”, “DARK” (Germany), “Lupin” (France), “Suburra” (Italy), “Kingdom” (South Korea), “Sacred Games” (India), “The Rain” (Denmark), “The Protector” (Turkey), “Baby’ (Italy), “Cable Girls” (Spain), “Jack Whitehall: Travels with My Father” (UK), “Ingobernable” (Mexico), “3%” (Brazil), “Elite” (Spain), “The English Game” (UK), “Casa de las Flores” (Mexico), “Unorthodox” (Germany), and “Sintonia” (Brazil). Her keen eye for quality storytelling and ability to tap into diverse cultural perspectives have been instrumental in Netflix’s success in captivating audiences across the globe. Previously at ABC, she developed acclaimed shows like “The Goldbergs”, “The Middle” and “Fresh Off the Boat”, earning recognition on prestigious industry lists. At Bravo, Luegenbiehl won an Emmy award for her work on “Kathy Griffin: My Life on the D-List”. A leader in elevating voices from around the world, Kelly has been honored by Variety’s International Women’s Impact Report, AFI, and received an International Emmy nomination. Her innate ability to discover talent, lead teams with a strategic vision, commitment to authentic storytelling, and deep global relationships have cemented her as an influential force transforming the content landscape today. 

Kissy Dugan

Writer & Producer, WIFTI Executive Board Member

Kissy Dugan is an American/Irish writer/producer based in Rome, Italy. Recent writing credits include: Twisted (animated feature currently in production with Mediawan France) and the Italian black comedy I Cassamortari (Amazon Studios Italy). Producing credits include the UK/ Italian feature The Habit of Beauty (Rome Film Festival) and doc features Botero (Palm Springs International Film Festival, Barcelona Doc Fest) and I Want My MTV for A&E Network. Kissy worked as both a classically trained actor and stand-up comic across the US (Caroline’s on Broadway, Gotham, Stand Up NY, The Improv, The Laugh Factory and the Comedy Store) and Europe. She has worked in casting (20th Century Fox, Columbia Pictures) and has produced short films, live stage shows, industrial films and commercials. Kissy also provides concierge production services for foreign productions in Italy. She is a founding member of Women in Film, TV and Media Italia and a current board member of Women in Film International.

 

Michelle Martin

VFX Executive Producer

Michelle Martin is a senior VFX executive with extensive experience building trusted creative partnerships with studios, producers, and show teams to deliver premium episodic and feature content. Currently working in partnership with Elephant Goldfish, she has held senior leadership roles at Pixomondo, Milk VFX and Framestore. Her credits include The Crown, The Witcher, The Boys, and Doctor Who. Michelle is recognised for her ability to balance creative ambition with commercial and scheduling realities, guiding productions through an increasingly complex and innovative VFX landscape while delivering sustainable, high-quality outcomes for clients and facilities alike. 

 

Teresa Mc Grane

Chief Operating Officer, Wild Atlantic Pictures

In 2023, Teresa took up a new post with Wild Atlantic Pictures in Dublin, as Chief Operating Officer.
Previously she was Deputy CEO of Screen Ireland for over 2 decades. Screen Ireland is Irelands
Screen agency fostering Irish artistic vision and Ireland’s diverse creative and production talent,
growing audiences, and attracting filmmakers and investment into the country.
During the time she spent at Screen Ireland she was across the commercial and financial aspects
of projects that the Board invested in, to the marketing and promotion of Irish films and the
Irish film sector, domestically and internationally. She was also across the Boards strategy with
regard to the development of the industry and the development of skills to increase the creative
and business capacity of the sector.
She represented the Screen sector at a European level being Irelands representative on EFAD
(European Film Agency Directors) and was recently a member of the European OMC working
group on European co-production.
Prior to Screen Ireland, she was an independent producer and also a production accountant on
many large-scale feature films that shot in Ireland. She also worked for many years in the UK
television sector ad production accountant.
She is a qualified Certified Accountant and has a Masters in Business Administration from Dublin
City University.

 

Dearbhla Walsh

EMMY, BAFTA and IFTA award-winning director

Dearbhla Walsh is a renowned, international director whose work has been recognised with multiple awards wins and nominations including EMMY, BAFTA and IFTA awards.  Dearbhla’s newest show is MARGO’S GOT MONEY TROUBLES for Apple TV/ A24, starring Elle Fanning, Michelle Pfeiffer and Nicole Kidman.

Dearbhla was lead director and EP for both series of the BAD SISTERS. She has directed multiple episodes of FARGO, and the award-winning Washington DC episode of THE HANDMAID’S TALE. Dearbhla’s work has also ranged from LITTLE DORRIT (winning her a Best Director Emmy) to Roald Dahl’s ESIO TROT with Dame Judi Dench and Dustin Hoffman, TALES FROM THE LOOP, and SHAMELESS.

 

Eranka Weerasuriya

Head of Virtual Production at Studio Ulster Ltd

Eranka Weerasuriya is the Head of Virtual Production at Studio Ulster Ltd, a £72 million next-generation virtual production studio and creative technology firm based in Belfast, Northern Ireland. With more than two decades of experience spanning Virtual Production, Visual Effects, Animation, and Live Action, Eranka has an unwavering passion and commitment to advancing immersive storytelling and driving technological innovation. She has been integral in delivering high-profile film, television, commercial, and branded entertainment projects for international clients.

Most recently, Eranka served as Head of Production (VP) at Eyeline Studios, Powered by Netflix, where she managed over 65 virtual production shoots and led cross-functional teams comprising up to 150 members worldwide. Previously, she held key roles at Industrial Light & Magic in both London and Singapore, where she contributed to the strategic bidding, planning and execution of VFX productions and effectively managed client relationships on major projects.

 

WIFTI SUMMIT 2026 SPEAKERS

Anna Serner
Former CEO, Swedish Film Institute and 50/50 by 2020 Champion

Anna is a lawyer but has spent her professional life as a CEO at three major organisations; The Swedish Advertising Association (Komm), The Swedish Media Publishing Association (TU) and The Swedish Film Institute (SFI) where she was CEO 2011-2021.

In all her positions Anna has worked with equality and inclusion in order to make sure the highest possible quality and freedom of expressions. 

During her period at Komm she published a book ”A Man Called Rolf, And Other Stories”, written by female copy writers. It was a book about being a copy writer in the advertising world. The book led to a leadership educations for women in creative works, an education that she offered in the film world (called ”Moviement”) at SFI, as a strategy to get more women behind the camera in big budget films. ”Moviement” was a part of the action plan to reach equity behind the camera, a strategy that became ”50/50by2020 which was released by SFI in Cannes 2016. That inspired the big festival movement for equality with the same name.

Anna is now starting an organisation called ”The Swedish Center for Investigative Journalism” to support a diversity of investigative reports to ensure an open democratic society.

 

Dame Heather Rabbatts
Chair, Time’s Up UK

Dame Heather Rabbatts’ career spans law, government, media and sport. She is currently Chair of Saatchi PLC, Associated British Foods PLC (where she is also Senior Independent Director) and Soho Theatre and until recently was MD of film & TV production company Cove Pictures where she produced The Drifters and The Bad Ass Librarians of Timbuktu. In 2018, Heather became Chair of TIME’S UP UK and in 2019 joined TIME’S UP global board. Born out of the revelations of #MeToo, TIME’S UP advocates to end sexual harassment, change representation and pay parity to achieve long-term cultural change. She was previously Chair of CIISA, the Creative Industries Independent Standards Authority, currently in development. Heather began her career as a lawyer, then a government advisor and was the youngest CEO of a Local Authority. She was the first woman and person of colour on the board of the English FA in 150 years, served on the boards of the BBC, Bank of England, the Foreign Office and the Royal Opera House and commissioned award-winning content as a senior executive at Channel 4 Television.

 

Debbie Ging
Professor, Digital Media and Gender, DCU & Director, DCU Institute for Research on Genders and Sexualities

Debbie Ging is Professor of Digital Media and Gender in the School of Communications at Dublin City University and Director of the DCU Institute for Research on Genders and Sexualities. She teaches and researches on gender, sexuality and digital media, with a focus on digital hate, online anti-feminist men’s rights politics, the incel subculture and radicalisation of boys and men into male supremacist ideologies. Debbie’s research also addresses youth experiences of gender-based and sexual abuse online and educational interventions to tackle these issues.

 

Guneet Monga Kapoor
Academy Award-Winning Producer CEO, Sikyha Entertainment

Guneet Monga Kapoor is an acclaimed Indian film producer, a two-time Academy Award winner, and the first to bring home an Academy Award for an Indian production with The Elephant Whisperers (2023). She also served as Executive Producer for the 2019 Oscar-winning documentary short Period. End of Sentence. A BAFTA nominee, Guneet is among the first Indian producers invited to join the Academy of Motion Picture Arts and Sciences.

Guneet is the founder of Sikhya Entertainment, a Mumbai-based production house. She has produced close to 40 feature films, including ground-breaking cinema such as Gangs of Wasseypur (2012), The Lunchbox (2013), Monsoon Shootout (2013), and Masaan (2015) all of which received critical acclaim at prestigious international festivals such as Cannes, TIFF, and Sundance.

Guneet is a recipient of the prestigious French Honour “Chevalier of the Ordre des Arts et des Lettres”. In 2019, the Alfred P. Sloan Foundation awarded her the prestigious Sloan Science and Film grant. Guneet is passionate about issues of representation and diversity in the film industry and discovering, amplifying & distributing the work of Indian women filmmakers across the globe.

Her recent projects include groundbreaking actioner – KILL, which earned a spot among IMDb India’s top 10 films of 2024 and achieved mainstream international distribution in a first of it’s kind deal with International Studio Lionsgate. Other successes include the sci-fi thriller web series Gyaarah Gyaarah (ranked No. 4 by IMDb India), Gutar Gu on Amazon MX Player, a first-of-its-kind Netflix documentary film on globally celebrated Hip Hop Artist – Yo Yo Honey Singh, and the 2025 Oscar-shortlisted live-action short film Anuja.

 

Iris Zappe-Heller
Deputy Director, Austrian Film Institute

Iris Zappe-Heller joined the Austrian Film Institute in 1993.

She took over the Austrian representation at the Board of Eurimages from 1997 to 2021.

In 2011 she became deputy to the Director of the Film Institute.

In 2013 she installed the department for Gender*Diversity*Inclusion within the Film Institute, taking a package of measures as Gender Incentive, Gender Budgeting, Gender Reports, ProPro, Script competition… In this function she represents Austria in Eurimages’ Gender Equality Working Group that she has chaired from 2016 to 2021. She joined the EFAD’s Gender Inclusion Working Group in 2018, where she took over the chair in 2021. In 2015 she has been the Austrian expert of the Sarajevo Conference Declaration and therefore actively involved in the drawing up of the European Council’s Recommendation on Gender Equality. Since 2024 she is member of the board of European Women’s Audiovisiual network, EWA.

In 2023 she was appointed Deputy Director of the Film Institute and is member of the board of Filmarchiv Austria since.

 

Liselott Forsman
CEO, Nordisk Film & TV Fond

Liselott Forsman is the CEO of Nordisk Film & TV Fond since 2019. As Yle’s International Drama Executive and EBU’s Head of Fiction Group, her focus was on international collaboration and media strategies. When Head of Fiction at Swedish Yle, she commissioned and co-produced feature films, drama series and content for young audiences. Her MA combines film, drama, and media studies. Liselott has been a speaker at forums on five continents, lectured at European master educations, produced drama and documentaries, and written for TV, radio and stage. She co-founded and headed the international event Helsinki Script.

Get your ticket today and we’ll see you in Limerick!

PRESS RELEASE: Global Women in Film and Television Summit Comes to Adare This February – Limited Tickets Remaining

PRESS RELEASE: Global Women in Film and Television Summit Comes to Adare This February – Limited Tickets Remaining

Women in Film and TV International Summit comes to Limerick from February 4 to 7, 2026. Pictured are Minister for Culture, Communications and Sport, Patrick O’Donovan TD, with Dr Susan Liddy, President of Women in Film and Television International (WIFTI) and Chair of Women in Film and Television (WFT) Ireland. Picture: Brian Arthur

 

Limerick, 20 January 2026: The global screen industry will turn its focus to Adare, County Limerick this February, as the 2026 Women in Film and Television International (WIFTI) Summit comes to Ireland for the first time. Running from 4–7 February, the Summit will welcome senior creatives and executives from around the world for three days of high-level discussion, collaboration and cultural exchange. 

Hosted by Women in Film and Television (WFT) Ireland – a registered charity – in partnership with Women in Film and Television International (WIFTI), this landmark event will bring together creative professionals in front of and behind the camera, funders, broadcasters, commissioners, researchers, advocates, senior executives and thought leaders from across the global screen industries.  

The 2026 WIFTI Summit is proudly supported by: Fís Éireann / Screen Ireland, Coimisiún na Meán, TG4, Saffery, National Talent Academies, Film in Limerick, Limerick Enterprise Office, Screen Producers Ireland, Elephant Goldfish / Molinare Creative Group, Fáilte Ireland, Women in Film and Television UK, Shannon Region Conference and Sports Bureau, Canadian Film Fund, Wild Atlantic Pictures, and Creative Ireland.

The Summit was recently marked by Minister for Culture, Communications and Sport, Patrick O’Donovan TD, who joined Dr Susan Liddy, President of WIFTI and Chair of WFT Ireland, to acknowledge its significance for Ireland’s international reputation in film and television. 

Minister O’Donovan said:
“Ireland has a strong and growing international reputation for creative excellence, collaboration and innovation in film and television. Hosting the 2026 WIFTI Global Summit in Adare is a significant moment for the sector, bringing global leaders to the Mid-West and reinforcing our commitment to gender equality, diverse storytelling and the future sustainability of the screen industries.”

Dr Susan Liddy commented: 

“This Summit is about connection, collaboration and leadership,” she said. “We are bringing together voices from across the world to address equity, innovation, storytelling and the future of the screen industries, while showcasing Ireland’s talent, hospitality, rich landscapes and creative ambition on a global stage.”

The programme features an exceptional line-up of speakers, including: 

  • Oscar and Emmy-nominated actress Ruth Negga (Passing, Presumed Innocent)
  • Academy Award-winning producer Guneet Monga Kapoor (The Elephant Whisperers, The Lunchbox)
  • Actor, director and producer Aisha Tyler (Criminal Minds, The Walking Dead)
  • Emmy-winning director Dearbhla Walsh (Bad Sisters, Fargo)
  • Panellists will include representatives from Fís Éireann / Screen Ireland, TG4, the British Film Institute, Canada Media Fund, Nordisk Film & TV Fond, the Swedish Film Institute, and more. 

With only weeks to go, a limited number of tickets remain, including day tickets.

Book tickets now and find out more:
https://www.eventbrite.ie/e/wifti-summit-2026-tickets-1817949418649?aff=oddtdtcreator

https://www.wifti.net/

ENDS

Media contact: Edwina Gore, Gore Communications, 087 6295323 

About WIFTI:
Women in Film and Television International (WIFTI) is a global network supporting women working across all areas of screen-based media. Founded in Los Angeles in the 1970s in response to systemic gender imbalance, WIFTI today spans 60+ chapters across six continents, all working toward equity, visibility and professional advancement for women in the screen industries. 

About WFT Ireland:
Women in Film and Television Ireland (WFT Ireland) is the Irish chapter of WIFTI and a registered charity. Dedicated to championing gender equality, WFT Ireland supports the professional development of women working across film, television and screen media through advocacy, visibility, training and community building. WFT Ireland is proud to bring the 2026 WIFTI Summit to Adare — a landmark event for Ireland’s screen sector and its international future. 

About Fís Éireann/Screen Ireland

As the national agency for the Irish film, television drama, animation and documentary industry, Fís Éireann/Screen Ireland is the creative partner to the sector, investing in talent, creativity and enterprise.

 

Thank you to all our amazing sponsors and partners.

 

Women in Film and TV International Summit comes to Limerick from February 4 to 7, 2026. Pictured are Minister for Culture, Communications and Sport, Patrick O’Donovan TD, with Dr Susan Liddy, President of Women in Film and Television International (WIFTI) and Chair of Women in Film and Television (WFT) Ireland. Picture: Brian Arthur

 

Additional speakers revealed!

Additional speakers revealed!

With February fast approaching, we’re excited to share another announcement as new speakers join the growing international programme for WIFTI Summit 2026.

The WIFTI Summit 2026 takes place 4–7 February 2026 in Adare, Co. Limerick, bringing together women working across film, television and the wider screen industries.

We’re delighted to announce a new round of speakers, including Niamh Fagan (Project Manager Feature Film, Fís Éireann / Screen Ireland) and May Leung (Visual Effects Supervisor: Inception, The Dark Knight Rises, Bohemian Rhapsody). 

The full Summit programme will be announced very soon!

🎟 Secure your ticket today!

Scroll below to discover our newly announced speakers:

May Leung

Visual Effects Supervisor: Inception, The Dark Knight Rises, Bohemian Rhapsody

May Leung is a Visual Effects Supervisor with over 25 years of experience in Film and HETV, with credits in Oscar Award winning films such as Inception, The Dark Knight Rises and Bohemian Rhapsody in which she obtained a Nomination for Outstanding Supporting Visual Effects in a Photoreal Feature from the Visual Effects Society.

May Leung is an experienced visual effects (VFX) supervisor and emerging producer with over 25 years in the film and television industry. Based in London, she has worked on a wide range of high-profile and critically acclaimed productions. Her notable credits include Spy Kids: Armageddon, where she served as VFX Supervisor as well as  Bohemian Rhapsody both vendor side VFX Supervisor and onset 2nd Unit VFX Supervisor. She also worked as Production VFX Supervisor on The Witcher: Blood Origin as well as Horizon Line. Earlier in her career, she contributed to major films such as Inception, The Hunger Games: Catching Fire, The Dark Knight Rises, and several Harry Potter titles in lead roles. May has recently completed work in several projects, including Fountain of Youth and The Magic Faraway Tree, 100% Organic (short film in post-production) as well with several projects in development:  Cold Enough for Snow (Feature, Producer), Alice, An Immersive Experience (Producer), A Light In The Dark (Feature, Producer) and Sutter’s Point (Feature, Producer). Her consistent contributions to major studio productions underline her industry recognition and credibility. She is also featured on professional platforms like ScreenSkills and Primetime, reflecting her leadership in the VFX field and her expanding role as a producer.

 

Niamh Fagan

Project Manager Feature Film, Fís Éireann / Screen Ireland

With almost 30 years’ experience in the film and television industry, Niamh Fagan started out working in feature film cutting rooms in Dublin, London & Los Angeles, learning the craft of storytelling and filmmaking from Oscar winning editors and directors. From being an accomplished editor, Niamh gravitated toward developing and producing award-winning TV comedy and drama series for RTÉ, BBC & TG4.

 In 2019, Niamh produced international multi-award-winning feature documentary Shooting the Mafia, which had its World Premiere at the World Cinema Documentary Competition at the Sundance Film Festival and had its European Premiere in the Panorama section at the Berlinale Film festival. Niamh is currently working for Screen Ireland, Ireland’s National Screen Agency as Project Manager across a busy slate of Film, Documentary and TV Drama.

 

 

 

 

Revisit our previously announced lineup further down the page to see the breadth of voices already confirmed.

Domizia De Rosa

Founding member & President of Women in Film, Television & Media Italy; Vice President, WIFT International

Domizia De Rosa is a founding member and President of Women in Film, Television & Media Italy and Vice President of WIFT International. She teaches as an adjunct professor at the Università Cattolica del Sacro Cuore (Catholic University of the Sacred Heart) in Milan and at NABA – Nuova Accademia di Belle Arti (New Academy of Fine Arts) in Rome. Previously she held several roles including Executive Director, Television at Warner Bros. Entertainment Italia, a company she joined in 1995. Her research interests are: gender media studies, visual cultures and production studies.

 

Kelly Luegenbiehl

Co-Founder, Shorties Studios (Ex Netflix, Disney, NBCU)

Kelly Luegenbiehl is a trailblazing media leader who has had a defining impact on the global entertainment industry. At Netflix, as Vice President of Franchise and Spectacle Series, she was the guiding force behind the global phenomenon The Witcher, propelling it into one of the top 10 most-watched shows globally. As Vice President of International Originals and Vice President of Europe, Middle East and Africa (EMEA) at Netflix, she spearheaded the company’s groundbreaking push into international markets and local-language originals, a strategic initiative that revolutionized the way content was created and consumed globally. Under her leadership, viewership of non-English programming on Netflix surged by 50% in the U.S. alone between 2017 and 2021. Kelly was responsible for hit series including “The Witcher”, “DARK” (Germany), “Lupin” (France), “Suburra” (Italy), “Kingdom” (South Korea), “Sacred Games” (India), “The Rain” (Denmark), “The Protector” (Turkey), “Baby’ (Italy), “Cable Girls” (Spain), “Jack Whitehall: Travels with My Father” (UK), “Ingobernable” (Mexico), “3%” (Brazil), “Elite” (Spain), “The English Game” (UK), “Casa de las Flores” (Mexico), “Unorthodox” (Germany), and “Sintonia” (Brazil). Her keen eye for quality storytelling and ability to tap into diverse cultural perspectives have been instrumental in Netflix’s success in captivating audiences across the globe. Previously at ABC, she developed acclaimed shows like “The Goldbergs”, “The Middle” and “Fresh Off the Boat”, earning recognition on prestigious industry lists. At Bravo, Luegenbiehl won an Emmy award for her work on “Kathy Griffin: My Life on the D-List”. A leader in elevating voices from around the world, Kelly has been honored by Variety’s International Women’s Impact Report, AFI, and received an International Emmy nomination. Her innate ability to discover talent, lead teams with a strategic vision, commitment to authentic storytelling, and deep global relationships have cemented her as an influential force transforming the content landscape today. 

Kissy Dugan

Writer & Producer, WIFTI Executive Board Member

Kissy Dugan is an American/Irish writer/producer based in Rome, Italy. Recent writing credits include: Twisted (animated feature currently in production with Mediawan France) and the Italian black comedy I Cassamortari (Amazon Studios Italy). Producing credits include the UK/ Italian feature The Habit of Beauty (Rome Film Festival) and doc features Botero (Palm Springs International Film Festival, Barcelona Doc Fest) and I Want My MTV for A&E Network. Kissy worked as both a classically trained actor and stand-up comic across the US (Caroline’s on Broadway, Gotham, Stand Up NY, The Improv, The Laugh Factory and the Comedy Store) and Europe. She has worked in casting (20th Century Fox, Columbia Pictures) and has produced short films, live stage shows, industrial films and commercials. Kissy also provides concierge production services for foreign productions in Italy. She is a founding member of Women in Film, TV and Media Italia and a current board member of Women in Film International.

 

Michelle Martin

VFX Executive Producer

Michelle Martin is a senior VFX executive with extensive experience building trusted creative partnerships with studios, producers, and show teams to deliver premium episodic and feature content. Currently working in partnership with Elephant Goldfish, she has held senior leadership roles at Pixomondo, Milk VFX and Framestore. Her credits include The Crown, The Witcher, The Boys, and Doctor Who. Michelle is recognised for her ability to balance creative ambition with commercial and scheduling realities, guiding productions through an increasingly complex and innovative VFX landscape while delivering sustainable, high-quality outcomes for clients and facilities alike. 

 

Teresa Mc Grane

Chief Operating Officer, Wild Atlantic Pictures

In 2023, Teresa took up a new post with Wild Atlantic Pictures in Dublin, as Chief Operating Officer.
Previously she was Deputy CEO of Screen Ireland for over 2 decades. Screen Ireland is Irelands
Screen agency fostering Irish artistic vision and Ireland’s diverse creative and production talent,
growing audiences, and attracting filmmakers and investment into the country.
During the time she spent at Screen Ireland she was across the commercial and financial aspects
of projects that the Board invested in, to the marketing and promotion of Irish films and the
Irish film sector, domestically and internationally. She was also across the Boards strategy with
regard to the development of the industry and the development of skills to increase the creative
and business capacity of the sector.
She represented the Screen sector at a European level being Irelands representative on EFAD
(European Film Agency Directors) and was recently a member of the European OMC working
group on European co-production.
Prior to Screen Ireland, she was an independent producer and also a production accountant on
many large-scale feature films that shot in Ireland. She also worked for many years in the UK
television sector ad production accountant.
She is a qualified Certified Accountant and has a Masters in Business Administration from Dublin
City University.

 

Dearbhla Walsh

EMMY, BAFTA and IFTA award-winning director

Dearbhla Walsh is a renowned, international director whose work has been recognised with multiple awards wins and nominations including EMMY, BAFTA and IFTA awards.  Dearbhla’s newest show is MARGO’S GOT MONEY TROUBLES for Apple TV/ A24, starring Elle Fanning, Michelle Pfeiffer and Nicole Kidman.

Dearbhla was lead director and EP for both series of the BAD SISTERS. She has directed multiple episodes of FARGO, and the award-winning Washington DC episode of THE HANDMAID’S TALE. Dearbhla’s work has also ranged from LITTLE DORRIT (winning her a Best Director Emmy) to Roald Dahl’s ESIO TROT with Dame Judi Dench and Dustin Hoffman, TALES FROM THE LOOP, and SHAMELESS.

 

Eranka Weerasuriya

Head of Virtual Production at Studio Ulster Ltd

Eranka Weerasuriya is the Head of Virtual Production at Studio Ulster Ltd, a £72 million next-generation virtual production studio and creative technology firm based in Belfast, Northern Ireland. With more than two decades of experience spanning Virtual Production, Visual Effects, Animation, and Live Action, Eranka has an unwavering passion and commitment to advancing immersive storytelling and driving technological innovation. She has been integral in delivering high-profile film, television, commercial, and branded entertainment projects for international clients.

Most recently, Eranka served as Head of Production (VP) at Eyeline Studios, Powered by Netflix, where she managed over 65 virtual production shoots and led cross-functional teams comprising up to 150 members worldwide. Previously, she held key roles at Industrial Light & Magic in both London and Singapore, where she contributed to the strategic bidding, planning and execution of VFX productions and effectively managed client relationships on major projects.

 

WIFTI SUMMIT 2026 SPEAKERS

Anna Serner
Former CEO, Swedish Film Institute and 50/50 by 2020 Champion

Anna is a lawyer but has spent her professional life as a CEO at three major organisations; The Swedish Advertising Association (Komm), The Swedish Media Publishing Association (TU) and The Swedish Film Institute (SFI) where she was CEO 2011-2021.

In all her positions Anna has worked with equality and inclusion in order to make sure the highest possible quality and freedom of expressions. 

During her period at Komm she published a book ”A Man Called Rolf, And Other Stories”, written by female copy writers. It was a book about being a copy writer in the advertising world. The book led to a leadership educations for women in creative works, an education that she offered in the film world (called ”Moviement”) at SFI, as a strategy to get more women behind the camera in big budget films. ”Moviement” was a part of the action plan to reach equity behind the camera, a strategy that became ”50/50by2020 which was released by SFI in Cannes 2016. That inspired the big festival movement for equality with the same name.

Anna is now starting an organisation called ”The Swedish Center for Investigative Journalism” to support a diversity of investigative reports to ensure an open democratic society.

 

Dame Heather Rabbatts
Chair, Time’s Up UK

Dame Heather Rabbatts’ career spans law, government, media and sport. She is currently Chair of Saatchi PLC, Associated British Foods PLC (where she is also Senior Independent Director) and Soho Theatre and until recently was MD of film & TV production company Cove Pictures where she produced The Drifters and The Bad Ass Librarians of Timbuktu. In 2018, Heather became Chair of TIME’S UP UK and in 2019 joined TIME’S UP global board. Born out of the revelations of #MeToo, TIME’S UP advocates to end sexual harassment, change representation and pay parity to achieve long-term cultural change. She was previously Chair of CIISA, the Creative Industries Independent Standards Authority, currently in development. Heather began her career as a lawyer, then a government advisor and was the youngest CEO of a Local Authority. She was the first woman and person of colour on the board of the English FA in 150 years, served on the boards of the BBC, Bank of England, the Foreign Office and the Royal Opera House and commissioned award-winning content as a senior executive at Channel 4 Television.

 

Debbie Ging
Professor, Digital Media and Gender, DCU & Director, DCU Institute for Research on Genders and Sexualities

Debbie Ging is Professor of Digital Media and Gender in the School of Communications at Dublin City University and Director of the DCU Institute for Research on Genders and Sexualities. She teaches and researches on gender, sexuality and digital media, with a focus on digital hate, online anti-feminist men’s rights politics, the incel subculture and radicalisation of boys and men into male supremacist ideologies. Debbie’s research also addresses youth experiences of gender-based and sexual abuse online and educational interventions to tackle these issues.

 

Guneet Monga Kapoor
Academy Award-Winning Producer CEO, Sikyha Entertainment

Guneet Monga Kapoor is an acclaimed Indian film producer, a two-time Academy Award winner, and the first to bring home an Academy Award for an Indian production with The Elephant Whisperers (2023). She also served as Executive Producer for the 2019 Oscar-winning documentary short Period. End of Sentence. A BAFTA nominee, Guneet is among the first Indian producers invited to join the Academy of Motion Picture Arts and Sciences.

Guneet is the founder of Sikhya Entertainment, a Mumbai-based production house. She has produced close to 40 feature films, including ground-breaking cinema such as Gangs of Wasseypur (2012), The Lunchbox (2013), Monsoon Shootout (2013), and Masaan (2015) all of which received critical acclaim at prestigious international festivals such as Cannes, TIFF, and Sundance.

Guneet is a recipient of the prestigious French Honour “Chevalier of the Ordre des Arts et des Lettres”. In 2019, the Alfred P. Sloan Foundation awarded her the prestigious Sloan Science and Film grant. Guneet is passionate about issues of representation and diversity in the film industry and discovering, amplifying & distributing the work of Indian women filmmakers across the globe.

Her recent projects include groundbreaking actioner – KILL, which earned a spot among IMDb India’s top 10 films of 2024 and achieved mainstream international distribution in a first of it’s kind deal with International Studio Lionsgate. Other successes include the sci-fi thriller web series Gyaarah Gyaarah (ranked No. 4 by IMDb India), Gutar Gu on Amazon MX Player, a first-of-its-kind Netflix documentary film on globally celebrated Hip Hop Artist – Yo Yo Honey Singh, and the 2025 Oscar-shortlisted live-action short film Anuja.

 

Iris Zappe-Heller
Deputy Director, Austrian Film Institute

Iris Zappe-Heller joined the Austrian Film Institute in 1993.

She took over the Austrian representation at the Board of Eurimages from 1997 to 2021.

In 2011 she became deputy to the Director of the Film Institute.

In 2013 she installed the department for Gender*Diversity*Inclusion within the Film Institute, taking a package of measures as Gender Incentive, Gender Budgeting, Gender Reports, ProPro, Script competition… In this function she represents Austria in Eurimages’ Gender Equality Working Group that she has chaired from 2016 to 2021. She joined the EFAD’s Gender Inclusion Working Group in 2018, where she took over the chair in 2021. In 2015 she has been the Austrian expert of the Sarajevo Conference Declaration and therefore actively involved in the drawing up of the European Council’s Recommendation on Gender Equality. Since 2024 she is member of the board of European Women’s Audiovisiual network, EWA.

In 2023 she was appointed Deputy Director of the Film Institute and is member of the board of Filmarchiv Austria since.

 

Liselott Forsman
CEO, Nordisk Film & TV Fond

Liselott Forsman is the CEO of Nordisk Film & TV Fond since 2019. As Yle’s International Drama Executive and EBU’s Head of Fiction Group, her focus was on international collaboration and media strategies. When Head of Fiction at Swedish Yle, she commissioned and co-produced feature films, drama series and content for young audiences. Her MA combines film, drama, and media studies. Liselott has been a speaker at forums on five continents, lectured at European master educations, produced drama and documentaries, and written for TV, radio and stage. She co-founded and headed the international event Helsinki Script.

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