Aug 4, 2026 | Event
What can the global screen industry learn from Australia’s approach to gender equity, inclusion and cultural leadership? WIFTI (Women in Film and Television International), in partnership with WIFT Australia and WIFT Victoria, present Global Lens: Storytelling at the Edge of the World, an online conversation exploring how Australia has become a leader in gender equity, First Nations storytelling, accessible filmmaking, and collaborative industry reform.
More than a decade after the launch of the Gender Matters initiative, Australia’s screen sector is seeing measurable results. Recent Gender Matters KPI data from Screen Australia shows parity or better across several key creative roles, demonstrating the impact of sustained investment, targeted programs and industry-wide collaboration.
Moderated by WIFT Australia Chair Leanne Tonkes, this discussion brings together leading voices from across the Australian screen sector to unpack the policies, partnerships and practical strategies helping to drive change and to explore what lessons can be shared with the international community.
The conversation explores:
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Key insights from the latest Gender Matters report and what the data tells us about progress over the past decade.
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The rise and impact of First Nations-led storytelling and creative leadership.
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Inclusion frameworks that move beyond representation to create safer, more equitable workplaces.
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The role of collaboration between agencies, creators and community organisations in achieving industry change.
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Practical ideas and approaches that can be adapted and implemented by screen industries around the world.
Whether you are a filmmaker, producer, advocate or industry leader, this Global Lens session offers a valuable opportunity to learn from Australia’s experience and contribute to the ongoing conversation about creating a more inclusive future for screen storytelling.
Click here to watch the panel. Watch time 1 hour.
Stay tuned for our next WIFTI Global Lens, as we highlight the people, programmes, and progress shaping a more gender-balanced screen industry across our chapters.
Jul 27, 2026 | News, Event
From left to right: Dr Susan Liddy (President WIFTI, Chair WFT Ireland, Director Catalyst International Film Festival), Martina Durac (Executive Director, Screen Directors Guild of Ireland), Jennifer Davidson (Chair, Writers Guild of Ireland), Aisling Malone (Project Manager, Raising Films Ireland), Lara Hickey (Co-creative Director, X-Pollinator), Grace Odumosu (Producer, Raising Films Ireland, GORM Media, Catalyst International Film Festival)
“We tend to believe that with the passage of time comes change and that we just need patience. We tell ourselves it cannot change overnight. But I think we need to wake up to the fact that that can be a bit of a salve sometimes. Even if you’ve been patient and asked nicely, sometimes change doesn’t necessarily happen at all. So being vigilant and devising different strategies is extremely important.”
– Dr Susan Liddy at the Galway Film Fleadh 2026
Upon the launch of the 50/50 by 2020 project by the Swedish Film Institute in Cannes in 2016, there was a buzz around the initiative, a sense that this was a tangible goal across many countries.
And while undoubtedly strides have been made across the global screen industries, in the intervening years there has perhaps been a complacency as well, hence the need for these conversations well beyond 2020. The status of gender equity across global screen industries was a major focus at the 2026 WIFTI Global Summit in Adare this past February. To further the conversation around the progress, challenges, and future of this initiative, Dr Susan Liddy (President WIFTI, Chair WFT Ireland, Director Catalyst International Film Festival) was joined by a panel of female industry leaders for a WFT Ireland Presents Event at the Galway Film Fleadh on Friday July 10, 2026.
Panellists included:
- Martina Durac, Executive Director, Screen Directors Guild of Ireland (SDGI)
- Jennifer Davidson, Chair, Writers Guild of Ireland (WGI)
- Aisling Malone, Project Manager, Raising Films Ireland (RFI)
- Lara Hickey, Co-creative Director, X-Pollinator
- Grace Odumosu, Producer, Raising Films Ireland, GORM Media, Catalyst International Film Festival
Dr Susan Liddy reminded the audience that a decade ago in the Irish screen industries ‘Irish stories’ largely meant male stories. With the launch of 50/50 by 2020 came policy statements and support, with people coming on board across the industry to champion paths of entry for women and minorities. But 10 years on, what is clear is that there is much to be done to ensure that these entry points lead to sustainable careers. Indeed, according to WGI Chair Jennifer Davidson “When we look at the positive, when we look at the change that has happened, it’s in schemes, it’s in low budget projects, it’s in mentorship and development, which is all really important and really vital. But that does not create sustainable careers.” Executive Director of SDGI Martina Durac spoke of women’s fatigue working for equality that has not yet emerged.
What’s clear is that goodwill and opening doors is not enough if the industry is to build career paths for women and minorities. If there is no clear path beyond trainee programmes and shorts productions, how is the landscape of feature films and television series going to change? What is needed is cross-collaboration across all levels of production and distribution and a commitment to ensuring that women are not only included, but given the opportunity to be visible, to take up space.
Much of the conversation has remained the same across the past decade. Until there is a systemic, organisational reckoning, one that is not solely led by marginalised people but also by industry allies, we very well may be having the same conversations a decade from now, Dr Susan Liddy suggested. The panel agreed, women and minority filmmakers need funding and the opportunity to create without having to be hailed as ‘exceptional’.
We are grateful to the team at the Galway Film Fleadh for their help in organising such a meaningful event, demonstrating the importance of keeping the momentum around these conversations going. A big thank you to Screen Ireland and Coimisiún na Meán for their support of this event, as well as to the wonderful folks at The Production People for partnering with us and sponsoring the reception which allowed for the conversations to continue following the panel event.
Reigniting these conversations around 50/50 by 2020 is a major focus of Dr Liddy’s Second Term as WIFTI President. In the coming months our goal is to share statistics and case studies with the WIFTI community so that we can see where and how screen industries are succeeding in reaching gender equity, and where improvements can be made.
For further insights on this important panel, read this Screen Daily article.
Jul 23, 2026 | News, Event
One of the things I’m proudest of at Stage 32 is that we’ve built something that didn’t really exist before, a place where, no matter where you live, you can learn directly from the people actually working in this industry right now.
We now have over 1.5 million members across 190 countries, and what continues to set Stage 32 apart is the access. Every month, we bring in showrunners, producers, executives, and creatives behind some of the biggest projects in film and television, not to speak in theory, but to share how things are really getting made, sold, and distributed today.
This month, I get to invite you into one of my favorite rooms in our entire community for a truly special conversation.
I’m moderating a live State of the Industry Ask Me Anything with our founder and CEO, Richard “RB” Botto, and I want you there with me.
Why This Conversation, and Why Now
RB spends his year in a way very few people in this industry do. He is constantly on the go, in the meetings, and on the phone with the executives, producers, financiers, and buyers who are shaping where this business is heading. He sits down with the decision-makers, and then he comes back and tells our community the truth about what he’s seeing and hearing.
That’s exactly what this Ask Me Anything event is. RB is going to open up about the real state of the industry right now: what’s selling and what isn’t, who’s buying, what executives are genuinely looking for from creatives today, and where the real opportunities are hiding for those who know where to look. This is a moment of enormous change in our business, and with change comes opportunity, but only for the people who understand what’s actually happening.
And because I’ll be moderating, I’ll be steering the conversation toward the questions I know matter most to you, and making sure we get to the practical, take-it-back-to-your-own-work answers this community always values.
Most importantly, this is interactive. This is an Ask Me Anything, which means you get to ask RB the questions you’ve been carrying around, about your craft, your career, the marketplace, or whatever challenge you’re facing right now, and get honest answers in real time.
Here’s the Special Part: This One Lives Inside the Stage 32 Writers’ Room
This AMA is happening inside the Stage 32 Writers’ Room, our dedicated year-round home for creators, and that’s where this gets exciting for the WIFTI community.
I want you in that room, so I’d like to give you a gift: a free month of the Writers’ Room, on us.
Click here to claim your free month of the Writers’ Room.
That free month gets you into this AMA event with RB, and it also opens the door to everything else the Writers’ Room offers over the next few weeks. I genuinely want you to come for the AMA and then stay to explore the rest, because there is so much here built to move your career forward:
Open Writing Assignments and weekly live Zooms with working writers, producers, reps, filmmakers, and executives. A complete library of all past webcasts with industry pros, available on demand in the Writers’ Room to watch or listen to at your convenience. Ongoing script workshops and live pitch practice with a community of dedicated creatives. And a group of mentors and peers from around the world who show up for one another every single week, all year long.
Think of the AMA as your reason to walk through the door, and the free month as your chance to see everything on the other side of it.
How to Join Me
Claim your free month of the Writers’ Room using the link below, and you’ll have access to the live AMA along with everything else inside.
Ask Me Anything: The State of the Industry with Stage 32 CEO Richard “RB” Botto, moderated by me, Amanda Toney
Wednesday, July 29th at 4:00 pm PT
Live inside the Stage 32 Writers’ Room
Start your free month of the Writers’ Room here and join us.
And if you can’t make it live, don’t worry. As a Writers’ Room member, you’ll have access to the full on-demand recording afterward, so you can watch or listen whenever it works for you.
At the end of the day, this is what we’re focused on at Stage 32, giving you access to real conversations, with real people, about how this industry actually works. And I truly believe that when you can get in the room, even virtually, with the people doing this work at a high level, it changes how you approach your own career.
This is one of those rooms. I’d love for you to be in it with me.
Come join us, claim your free month here.
I hope you’ll be there.
Amanda Toney
Managing Director, Stage 32
Jun 24, 2026 | News
Kingston, Jamaica — Women in Film & Television Jamaica (WIFT-JA) is pleased to announce its newly elected Board of Directors for the 2026–2028 term, bringing together a dynamic group of filmmakers, producers, performers, educators, and creative industry leaders committed to strengthening Jamaica’s film, television, and digital media sectors.
The incoming board reflects the diversity, talent, and collaborative spirit of Jamaica’s creative industries, bringing together established professionals, mid-career leaders, and emerging voices, whose collective expertise spans production and post, education and arts management, cultural development, storytelling, and community engagement.
Leading the organization into its next chapter is newly elected President Natasha Griffiths, a screenwriter, director, educator and academic leader who develops compelling character-driven stories across film, television, and animation, while mentoring emerging storytellers and creative professionals. By her side is Vice President Ina Sotirova, an award-winning filmmaker, educator, and multimedia storyteller, whose work explores healing, culture, and social change through film, photography, and immersive experiences. Having served as Directors on the previous Board, the duo brings continuity, institutional knowledge, and a shared commitment to strengthening WIFT-JA’s impact and visibility, amplifying the voices of Caribbean women across the screen industries, and expanding opportunities for professional growth and leadership.
Joining them are a remarkable group of women whose collective experience reflects the breadth of Jamaica’s creative ecosystem. The five Directors elected to the board include film editor and brand and content strategist Alana Nelson, whose work spans narrative features, documentaries, and commercial productions in Jamaica and the United States; arts manager and cultural advocate Kathrine Johnson, who has supported creative sector development through strategic programmes and partnerships; and producer Kalia Ellis, whose credits include Bob Marley: One Love, Get Millie Black, Black Cake, and 007: Road to a Million.
Also joining the board are filmmaker, entrepreneur, and multidisciplinary artist Denia Morgan, whose work explores Caribbean culture, identity, memory, and belonging across film, writing, and handmade creative practice; and filmmaker Cylindian Goodchild, whose experience spans production, camera, casting, performance, and festival programming. Supporting the board in an advisory capacity is actress and producer Mitzie Pratt, a SAG-AFTRA and Actors’ Equity Association member whose work spans award-winning film, television, and theatre productions in both Jamaica and the United States.
Representing both established industry leadership and the next generation of Jamaican screen talent, this Board represents a unique blend of creative practice, industry experience, education,
advocacy, and cultural leadership. Collectively, their work has been recognized by organizations and platforms like the Sundance Institute, ScreenCraft, the British Council, UNICEF, HBO, Hulu, Prime Video, and Paramount Pictures, as well as leading academic institutions in Jamaica and the United States.
Reflecting on the Board Retreat held earlier this year, incoming President Natasha Griffiths shared that “we envision strengthening the role of the organization in not only celebrating women in screen media, but actively helping shape the future of the industry. We see WIFT-JA earning a permanent seat at key industry and policy tables, championing safe and equitable working environments, expanding opportunities for women in underrepresented roles, and strengthening the systems that allow creative professionals to build sustainable careers in Jamaica.”
At the heart of the Board’s vision is a commitment to strengthening WIFT-JA’s role as a hub for connection, mentorship, research, training, and international collaboration, fostering a thriving community of women creators with expanded access to opportunities at home, across the Caribbean, and around the world.
As Jamaica’s screen industries continue to grow and evolve, the new Board is committed to ensuring that women are not only participants, but continue to be leaders in shaping the future of film, television, and digital storytelling in Jamaica and across the Caribbean.
Jun 18, 2026 | News, Event
If you’ve ever tried to finance a film, stretch a limited budget, find local crew, secure locations, or navigate production logistics in an unfamiliar region, you’ve likely encountered one of the entertainment industry’s most valuable – and often misunderstood – resources: film commissions.
At Stage 32, we’ve spent years working with film commissions around the world, and one thing has become abundantly clear: the producers and filmmakers who understand how to leverage film commissions have a significant advantage.
That’s why I was so excited to announce Stage 32’s new partnership with the AFCI (Association of Film Commissioners International), which was recently featured in The Hollywood Reporter. Together, we’re working to educate both filmmakers and film commissions while helping strengthen the global production ecosystem.
But what does that mean for you as a WIFTI member?
It means understanding how film commissions can help get your projects made.
Film Commissions Are More Than Tax Incentives
When many filmmakers hear the words “film commission,” they immediately think of tax credits and rebates.
While those incentives can be incredibly valuable, they are only one piece of the puzzle.
Film commissions exist to attract and support production in their regions. Their success depends on helping productions succeed. As a result, many commissions provide resources that can save filmmakers both time and money.
Depending on the region, a film commission may help you:
- Identify filming locations
- Connect with local crew and vendors
- Navigate permitting processes
- Understand available incentives
- Access local production resources
- Introduce potential partners and stakeholders
- Evaluate whether a region is a good fit for your project
For independent producers especially, these resources can make the difference between a project moving forward or remaining stuck in development.
The Global Production Landscape Has Changed
Today’s productions are increasingly international.
Whether you’re pursuing a co-production, exploring global tax incentives, or simply trying to maximize production value on screen, understanding what different regions can offer has become an essential skill for producers.
The reality is that many filmmakers leave opportunities on the table because they don’t know what questions to ask or when to engage a film commission.
I’ve seen producers discover financing opportunities they didn’t know existed. I’ve seen productions find ideal locations they would never have considered. I’ve seen filmmakers build long-term relationships that continue paying dividends project after project.
All because they started a conversation with a film commission.
Why We’re Offering This Free Webinar
As part of our partnership with AFCI, Stage 32 is hosting a free webinar designed to help filmmakers, producers, and content creators better understand how film commissions operate and how to work with them effectively.
This isn’t a webinar for film commissioners.
It’s a webinar for you.
We’ll break down:
- What film commissions actually do
- How they support productions
- When to engage them during your project
- How to maximize the resources they offer
- Common mistakes filmmakers make
- Why film commissions have become increasingly important in today’s marketplace
Whether you’re developing your first feature, producing a documentary, creating a television series, or exploring international opportunities, understanding how to work with film commissions can become a powerful part of your producing toolkit.
Join Us
One of the things I love most about the global WIFTI community is that its members are constantly looking for ways to create more opportunities – not just for themselves, but for the projects and stories they want to bring into the world.
Film commissions can be an important partner in that journey.
I hope you’ll join us for this free conversation and discover how these organizations can help you make your next project stronger, smarter, and more financially viable.
I look forward to seeing you there!
Amanda Toney
Managing Director, Stage 32
May 29, 2026 | News
We’re delighted to share that WIFTI President and WFT Ireland Chair Dr. Susan Liddy has been re-elected as WIFTI President for a second term. Please see the official press release below –
Dr. Susan Liddy at the 2026 WIFTI Summit in Adare, Ireland. Picture: Olena Oleksienko/ilovelimerick
Dr. Susan Liddy Re-Elected President of Women in Film & Television International for Second Term
The re-election of Dr. Susan Liddy as President of Women in Film & Television International (WIFTI) for a further three-year term, commencing in September 2026, was officially announced at the Irish Pavilion during the recent Cannes Film Festival.
Dr. Liddy, who also serves as Chair of Women in Film & Television Ireland (WFT Ireland), has led the global organisation since 2023, overseeing a period of significant growth, international collaboration and expanded global reach across the screen industries. Her re-election marks a significant achievement for Ireland, reflecting the growing international influence of the Irish screen sector and Ireland’s leadership in advancing gender equality within the creative industries.
Representing a worldwide network spanning six continents and more than 80 chapters and affiliates across 6 continents. WIFTI works to advance gender equality and support women working across film, television and the wider media sector. During Dr. Liddy’s first term, the organisation welcomed a number of new chapters and affiliates, including groups from Europe, Africa and India, further strengthening WIFTI’s international network and commitment to inclusion and representation.
One of the major highlights of Dr. Liddy’s presidency was the hugely successful Women in Film & Television International Summit, hosted in Adare, Co. Limerick in February 2026. The landmark gathering brought together industry leaders, creatives and advocates from around the world for several days of discussion, networking and collaboration focused on equity, sustainability and the future of the global screen industries. The Summit further cemented Ireland’s reputation as a global hub for creative leadership and international collaboration.
Speaking at the Irish Pavilion at Cannes Film Festival, Dr. Susan Liddy said:
“I’m thrilled to continue in my role as President of WIFTI. We have ambitious plans to bring our chapters and affiliates closer together and to continue building meaningful international connections. In times like these especially, we are stronger together, and I believe passionately in the power of this global network to create lasting change for women working across the screen industries.”
Domizia De Rosa, Vice President of WIFTI, paid tribute to Dr. Liddy’s leadership, saying:
“I am delighted and grateful to Dr Liddy for agreeing to serve a second term as President. Her energy and determination will enable us to build on the excellent results of the recent WIFTI Summit, which I had the opportunity to attend in person and where I was able to witness first-hand the passion and professionalism of the Irish chapter, which Dr Liddy has been leading for over seven years”.
Kissy Dugan, Treasurer of WIFTI, praised the re-election, saying:
“Susan’s leadership over the past three years has been transformative for WIFTI. Her vision, diplomacy and unwavering commitment to gender equality have helped expand our global reach and deepen connections between chapters around the world. We are delighted she will continue to lead the organisation into this next exciting phase.”
Dr. Liddy is a respected academic, researcher and advocate for gender equality in the creative industries and has long been a leading voice in championing women’s representation, visibility and leadership within the screen sector, both in Ireland and internationally.
Under her continued presidency, WIFTI plans to further expand its international partnerships, strengthen collaboration between chapters and continue advocating for greater equality, opportunity and inclusion across the global screen industries.
About WIFTI
Women in Film & Television International (WIFTI) is a global network dedicated to advancing gender equality and professional development for women working across film, television and the screen industries. Established over 50 years ago, WIFTI now spans more than 80 chapters and affiliates across six continents, supporting international collaboration, advocacy, mentorship and leadership opportunities for women at all stages of their careers.
For press inquires, please contact info@wft.ie
May 5, 2026 | News, Event
Attending the 2026 Cannes International Film Festival? Join us for WIFTI’s Coffee Social on Friday, May 15, from 11:30 AM – 1:00 PM CEST!
Enjoy coffee, croissants, and great conversation with WIFTI members from chapters around the world.
🎟 Register by May 12 — ticket sales close at 1:00 PM CEST.
Your ticket includes access to the event and breakfast treats such as a coffee, selection of cold drinks, pastries and/or yoghurt with fruits.
Venue details will be provided in your ticket confirmation.
See you in Cannes! 🎬
RSVP & PAY HERE
Apr 8, 2026 | News
We are happy to announce that the Google Form for membership renewal is now live.
2026 WIFTI Membership Google Form
Renewing your membership ensures your chapter remains part of a global network working to support and advance women across the screen industries. Membership provides access to international collaboration opportunities, professional development resources, and participation in WIFTI programmes, as well as increased visibility and connection within the global community.
How to renew / join
- Chapter Presidents (or equivalent Executive Leader) must complete the membership form (sent via email as well)
- Submit updated chapter information
- Receive a PayPal payment link from WIFTI
- Pay the applicable membership fee
Membership is valid for one full calendar year.
To note, there has been an unavoidable system delay in collection which has now been remedied. To ensure our records are fully up to date, the form requests details covering the period from 2024 to 2026. We will invoice you as per the information provided in the form.
Action required:
We kindly ask that all Chapter and Partner Organisation Leaders (or equivalent Executive Leaders) complete the form by May 8th, 2026.
Your membership fees directly support WIFTI’s global advocacy, programmes, events, and resources that benefit all chapters.
Please refer to our membership page for further information.
If you are a Chapter or Affiliate head and have any questions, please get in touch membership@wifti.net.
Thank you for your continued engagement and support.
Mar 19, 2026 | News
One of the things I’m most proud of at Stage 32 is that we’ve built something that didn’t really exist before – a place where no matter where you live, you can learn directly from the people who are actually working in this industry right now.
We now have over 1.3 million members across 185+ countries, and what continues to set Stage 32 apart is the access. Every month, we’re bringing in showrunners, producers, executives, and creatives behind some of the biggest projects in film and television – not to speak in theory, but to share how things are really getting made, sold, and distributed today.
And this month we get to do something even more special.
On Tuesday, March 24th at 3pm PT, we’re hosting an exclusive live Q&A with HEATED RIVALRY showrunner Jacob Tierney, moderated by TV executive Anna Henry – and this is exactly the kind of opportunity that only happens inside the Stage 32 community.
Jacob is one of those creators who really understands how to build stories that connect. With HEATED RIVALRY, which he created, writes, directs, and executive produces, he’s continuing to prove how powerful character-driven storytelling can cut through in today’s market. He recently executive produced WAR PONY, which won the Caméra d’Or at Cannes, and he’s behind THE TRAITORS CANADA.
What I love about sessions like this is that they’re not surface-level. Jacob is going to talk honestly about his path to becoming a showrunner, how he develops and adapts material, and what it actually takes to create a series that buyers respond to. And with Anna guiding the conversation from an executive point of view, you’re also going to hear what the market is looking for right now – which is information that’s incredibly hard to get access to.
And importantly, this is interactive. You’ll be able to ask your own questions and get real answers you can take back to your own work.
You can register for the live Q&A here.
This is a live Q&A only and you must attend live.
Bonus: Breaking Down the HEATED RIVALRY Pilot
We’re also doing a free webinar where we break down the HEATED RIVALRY pilot episode, so you can really dig into how the story is structured and why it works.
Register for the pilot breakdown here.
At the end of the day, this is what we’re focused on at Stage 32 – giving you access to real conversations, with real people, about how this industry actually works.
And I truly believe that when you can get in the room (even virtually) with the people doing the work at a high level, it changes how you approach your own career.
I hope you’ll join us for this one.
Amanda Toney
Managing Director, Stage 32
Feb 24, 2026 | News, Event, Uncategorized
Photo credit: From left to right Deirdre Ní Choistín, Director General, TG4; Désirée Finnegan, Chief Executive, Fís Éireann/Screen Ireland; Ruth Negga, BAFTA, Emmy, and Oscar-Nominated Actor (Passing, Presumed Innocent); Dr. Susan Liddy, President of WIFTI & Chair of WFT Ireland; Elizabeth Farrelly, Assistant Director, Media Development, Coimisiún na Meán (Irish Media Commission). (Photo by Brian Arthur)
The 2026 WIFTI Summit in Adare, Ireland brought together an extraordinary international community of creatives, industry leaders, advocates, policymakers and allies, united by a shared commitment to gender equality, collaboration and meaningful change across the screen industries. Over four inspiring days, the Summit fostered an open, honest and supportive space where participants felt encouraged to speak candidly, listen generously and connect across borders. The atmosphere was one of momentum and possibility – marked by thoughtful dialogue, ambitious ideas and new relationships that will continue to shape the work ahead.
Key Themes & Takeaways
Across conversations, panels and informal exchanges, several themes emerged, identifying not only where the screen industries are now, but where they need to go next.
Progress has been made, but speakers consistently emphasised the need for focused implementation, more equitable budgets, inclusive hiring, long-term career support and clear accountability structures that embed gender equity into all aspects of the screen industries.
Collaboration strengthens global, national and local ecosystems
The Summit underscored the vital role of public funding, strong regional networks and international collaboration. Long-term sustainability depends on investing in local talent and infrastructure, while actively participating in global creative, cultural and production networks.
Technology is reshaping creativity
Advances in VFX, virtual production and digital platforms are transforming how stories are made, raising urgent questions around ethics, regulation, safety and creative control alongside innovation.
Voice, language and lived experience shape authentic storytelling
The Summit reinforced the importance of representation on and off screen, including minority and Indigenous languages. Access, identity and authorship were seen as central to reaching audiences with integrity.
Visibility is key to long-term sustainability
From development to distribution, speakers returned to a shared truth: creators need ongoing support to sustain careers, rather than individual projects. Being seen by audiences, funders and peers is essential.
Place matters
The Summit closed with a Creative Excursion hosted by Film in Limerick, offering delegates a guided tour of key regional locations including Troy Studios. This final session reinforced the importance of place, infrastructure and regional investment in supporting production, collaboration and future growth within Ireland’s screen industries.
Summit Programme & Speakers
We are deeply grateful to all our speakers who so generously shared their time, expertise, and perspectives throughout the Summit. Across two days of conversation, debate, and exchange, our panellists brought insight, honesty and lived experience to the forefront, challenging assumptions, sharing hard-won knowledge, and offering practical pathways for change.
Thursday 5 February
From left to right Deirdre Ní Choistín, Director General, TG4; Désirée Finnegan, Chief Executive, Fís Éireann/Screen Ireland; Ruth Negga, BAFTA, Emmy, and Oscar-Nominated Actor (Passing, Presumed Innocent); Dr. Susan Liddy, President of WIFTI & Chair of WFT Ireland; Elizabeth Farrelly, Assistant Director, Media Development, Coimisiún na Meán (Irish Media Commission). (Photo by Brian Arthur)
Summit Launch
Welcome: Dr Susan Liddy – President Women in Film and Television International & Chair WFT Ireland
Deirdre Ní Choistín – Director General, TG4
Désirée Finnegan – Chief Executive, Fís Éireann/Screen Ireland
Ruth Negga – BAFTA, Emmy, and Oscar-Nominated Actor (Passing, Presumed Innocent)
Elizabeth Farrelly – Assistant Director, Media Development, Coimisiún na Meán
Voices of Change: Pioneering Equity in the Screen Industries
Moderator: Dr. Susan Liddy – President, WIFTI; Chair, WFT Ireland
Anna Serner – CEO, Center for Investigative Journalism and Former CEO, Swedish Film Institute
Iris Zappe-Heller – Deputy Director, Austrian Film Institute
Lisa French – Professor, RMIT University, Melbourne, Australia
Liselott Forsman – CEO, Nordisk Film & TV Fond and Producer
Niamh Fagan – Project Manager Feature Film, Fís Éireann / Screen Ireland
Valerie Creighton – President & CEO, C.M., S.O.M., Canada Media Fund
Beyond Borders: How Irish Co-Productions Are Shaping Global Storytelling
Moderator: Lesley McKimm – Producer (Whistleblower, It’s Not Yet Dark, Greta)
Aisha Tyler – Actor, Producer, Director (The Walking Dead, Criminal Minds, I Hope We Can Still Be Friends), CEO Hot Machine Films
Máire Ní Chonláin – Commissioning Editor, TG4; Executive Producer (An Cailín Ciúin / The Quiet Girl, CRÁ, Frewaka)
Sinead McHugh – Partner, Film, TV & Media, Head of Dublin Office, Saffery
Teresa McGrane – COO, Wild Atlantic Pictures (Kneecap, Saipan)
Behind the Pixels: Women Leading VFX & Virtual Production
Moderator: Deborah Doherty – Elephant Goldfish VFX & Post-Production; Managing Director & Executive Producer; WFT Ireland Board Member
Clare Cheetham – Emmy Award-Winning Executive VFX Producer, Crafty Apes (The Martian, Chernobyl)
Eranka Weerasuryia – Head of Virtual Production, Studio Ulster (Avatar: The Last Airbender, Squid Game)
May Leung – Independent VFX Supervisor (The Witcher: Blood Origins, Fountain of Youth)
Fireside Chat with Ruth Negga
An intimate fireside conversation with BAFTA, Emmy, and Oscar-nominated actor Ruth Negga reflecting on her extraordinary career to date and offering a glimpse into her future creative plans.Moderator:
Aoife Barry – Freelance Writer, Broadcaster & Arts Journalist
Cultural Event in Adare Village
Alongside the panel programme, delegates gathered for a memorable cultural evening in Adare Village, creating space for connection in a uniquely Irish setting. The night began at Bill Chawkes Bar with an Irish Coffee experience presented by the Foynes Flying Boat & Maritime Museum, before continuing with traditional music at Aunty Lena’s Pub. We extend our warm thanks to all who hosted and welcomed our delegates for such a special evening.
Friday 6 February
Threats and Shifts: Navigating the New Frontlines of Equality in the Screen Industries
Moderator: Katie Bailiff – CEO, Women in Film and Television UK
Almudena Carracedo (via Zoom) – Filmmaker & Asociación de Mujeres Cineastas y de Medios Audiovisuales (CIMA) Board Member
Professor Debbie Ging – Professor of Digital Media and Gender, Dublin City University
Domizia De Rosa – President, WIFTM Italia; Vice President, WIFTI
Dame Heather Rabbatts – Chair, Time’s Up UK
Voices of the Unheard: Storytelling and Identity in Minority Language
Moderator: Gemma Ní Chionnaith – TV Broadcaster, TG4
Anne Lajla Utsi (zoom) – Managing Director, International Sámi Film Institute
Deirbhile Ní Churraighin – Commissioning Editor, TG4
Gwenllian Gravelle – Head of Film & Drama, S4C
Kerry Swanson – CEO, Canadian Indigenous Screen Office
From Market to Audience: Getting Your Project Seen
Moderator: Kissy Dugan – Screenwriter & Producer; WIFTI Executive Board Member
Gretchen McGowan – Emmy Award-Winning Producer & Goldcrest Films (Back to Black, Carol), NYWIFT Board Member
Jenn Brown – Executive Director, St. John’s International Women’s Film Festival
Kelly Leugenbiehl – Co-Founder, Shorties Studios (Ex Netflix, Disney, NBCU)
Driving Real Change in the Screen Industries
Moderator: Gretchen McGowan – Emmy Award-Winning Producer & Goldcrest Films (Back to Black, Carol), NYWIFT Board Member
Ailish Bracken – Chair, Raising Films Ireland
Liza Truschel – Managing Director, The Writers Lab UK
Max Brady – Chair, GEDI Committee, Screen Producers Ireland
Mia Bays – Director, BFI Filmmaking Fund
Seen and Unseen: Women’s Creative Journeys On and Off Screen
Moderator: Maikiko James – Deputy Director, WIF LA
Aisha Tyler – Actor, Producer, Director (The Walking Dead, Criminal Minds, I Hope We Can Still Be Friends), CEO Hot Machine Films
Dearbhla Walsh – Emmy, BAFTA and IFTA Award-Winning Director (Little Dorrit, The Handmaid’s Tale, Fargo, Bad Sisters, Margo’s Got Money Troubles)
Guneet Monga Kapoor – Oscar-Winning Producer Producer (The Lunchbox, The Elephant Whisperers)
Ruth Negga – BAFTA, Emmy and Oscar-Nominated Actor (Passing, Presumed Innocent)
Úna Ní Dhonghaíle ACE, BFE – BAFTA and IFTA-Winning Editor (The Crown, Belfast, Paddington in Peru)
Our Sponsors
The 2026 WIFTI Summit was made possible through the generous support of our partners. We extend our sincere thanks to:
Fís Éireann / Screen Ireland
Coimisiún na Meán
TG4
Saffery
National Talent Academies
Local Enterprise Office Limerick
Screen Producers Ireland
Film in Limerick
Fáilte Ireland
Wild Atlantic Pictures
Canada Media Fund
Elephant Goldfish / Molinare Creative Group
Women in Film and Television UK
Shannon Region Conference and Sports Bureau
Creative Europe Desk Ireland
Media Insurance Brokers (part of Howden)
Raising Films Ireland
We extend our sincere thanks to all those who supported the delivery of the 2026 WIFTI Summit. In particular, we wish to acknowledge Sync & Swim Creative Marketing & Strategic Communications, whose guidance and hands-on support were instrumental to the Summit’s success. We are also grateful to Fitzgeralds Woodlands House Hotel & Spa for being an exceptional host venue, providing care, flexibility and attention to detail throughout the planning and delivery of the event. Our thanks to Archetype Events, Gore Communications, Lean on Lee, AVC Ltd and I Love Limerick for their contributions across event coordination, technical delivery, PR and media coverage. We extend special thanks to the Board and staff of WFT Ireland, specifically Meaghan Lee- Erlandsen, and to the Board of WIFTI, whose support underpinned the success of the Summit. Finally, we are thankful to Emma Langford and her musicians, and to Louise Bruton, for bringing warmth, energy and celebration to the Summit’s social moments.
What’s Next
The conversations sparked at the 2026 WIFTI Summit are only the beginning.
In the months ahead, Women in Film and Television International and Women in Film & Television Ireland will continue to build on the ideas, connections and shared energy that emerged in Adare – through future events, new programmes, advocacy and ongoing international collaboration.
This Summit marks an inspiring and powerful launching point. We are committed to building on this momentum together.
Photo Gallery
Browse our collection of photos below. More images will be added and shared soon.
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From left to right: Marjaana Mykkänen, WIFT Finland Vice Chairperson & WIFTI Board Member; Ajoke Silva, President, Forum for Women in Film and Television Nigeria (FWIFT); Becky Hellwig, Impact Producer & WIFT Germany Member; Rabia Chopra, Head, Programs & Development, WIF India; Karen Bruce, Executive Director, WIFT+ Toronto; Dr. Susan Liddy, President of WIFTI & Chair of WFT Ireland; Kissy Dugan, WIFTI Board Member & Treasurer; Lauren Simpson, WIFTI Board Member & President of WIFT Victoria; Sharon Contillo, President, Women in Film & Video New England; Guneet Monga Kapoor, Founder & CEO, WIF India; Karolina Rum, Founder/President, WIFT Poland; Domizia De Rosa, President of WIFTM Italy & Vice President of WIFTI. (Photo by Lauren Simpson/WIFT Victoria)
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From left to right: Kissy Dugan, Screenwriter & Producer, WIFTI Board Member & Treasurer; Dr. Susan Liddy, WIFTI President & WFT Ireland Chair; Kerri Borsuk, Producer, Piramide Productions; Siobhán Farrell, WFT Ireland Vice Chair & Owner, Eclipse Pictures; Domizia De Rosa, President of Women in Film, Television & Media Italia & Vice President of WIFTI. (Photo by I Love Limerick)
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From left to right: Aisha Tyler, Actor, Director, Producer (Criminal Minds, The Walking Dead) & CEO Hot Machine Films; Dr Susan Liddy, President of WIFTI and Chair of WFT Ireland; and Paul C Ryan, Film Commissioner / Regional Film Manager, Film in Limerick. (Photo by Brian Arthur)
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From left to right: Susan Kirby, CEO, Screen Producers Ireland; Dr Susan Liddy, President of WIFTI & Chair of WFT Ireland; Max Brady, Chair of GEDI Committee, Screen Producers Ireland and Producer, Bodacious Ltd + Maxfilms Ltd. (Photo by I Love Limerick)
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From left to right: Ajoke Silva, President, Forum for Women in Film and Television Nigeria (FWIFT); Samantha Siberini, Writer/Performer & NYWIFT Member; Dr Ann Lavan, Academic / Writer & WFT Ireland Member. (Photo by I Love Limerick)
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From left to right: Mara Luka, Chairwoman of the Board, WIFT Germany & WIFTI Board Member, WIFTI; Theo Lindberg, Vice-President, WIFT+ Sweden. (Photo by I Love Limerick)
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Left to right: Jade Jordan, Actor & Writer, WFT Ireland Board member; Andie McCaffrey Byrne, Actor & Director, Shine Bright Productions Founder. (Photo by I Love Limerick)
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From left to right: Kavery Kaul, Director / Producer / Writer, Riverfilms & NYWIFT Member; Linda O’Sullivan, Actor & WFT Ireland Member. (Photo by I Love Limerick)
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From left to right: Karen Bruce, Executive Director, WIFT+ Toronto; Nikki Cole, Writer/Producer/Director & WIFT+ Toronto Member. (Photo by I Love Limerick)
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From left to right: Jaro Waldeck, ACK, Cinematographer, WFT Ireland Board Member; Leticia Agudo, Screenwriter, Director, Founder of Whackala Productions. (Photo by I Love Limerick)
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From left to right: Rachael Power, NTA Crew Academy South Manager; Dr Susan Liddy, President of WIFTI, Chair WFT Ireland; Paul C Ryan, Film Commissioner / Regional Film Manager at Film in Limerick. (Photo by I Love Limerick)
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Photo of the Voices of Change: Pioneering Equity in the Screen Industries panel that took place on Thursday, February 5th, 2026. From left to right: Dr Susan Liddy, President of WIFTI and Chair of WFT Ireland (Panel Moderator); Iris Zappe-Heller, Deputy Director, Austrian Film Institute; Lisa French, Professor of Screen & Dean School of Media &
Communication, RMIT; Liselott Forsman, CEO, Nordisk Film & TV Fond and Producer;
Valerie Creighton, C.M., S.O.M., President & CEO, Canada Media Fund; Niamh Fagan, Project Manager Feature Film, Fís Éireann / Screen Ireland. Panellist not pictured but joined via Zoom: Anna Serner, CEO, Center for Investigative Journalism and Former CEO, Swedish Film Institute.
(Photo by Brian Arthur)
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From left to right: Mark Poole, Director (St Kilda Films); Professor Lisa French, Dean of the School of Media and Communication at RMIT University, Melbourne; Katie Page, Film programmer, Vice President of WIFT Victoria; Sian Mitchell, Festival Director, Melbourne Women in Film Festival; Lauren Simpson, Producer Iris Arc Pictures, President WIFT Victoria, Board Member WIFT International; Dale Thain, Director & Screenwriter, WIFT Australia Board member. (Photo by I Love Limerick)
