A letter from Russia

A letter from Russia

Maria Kuvshinova
A letter from Russia

Hi from nowhere, my name Maria Kuvshinova, before Feb 24 I used to be a Russian film critic and a cofounder of a feminist cinema web site which is now frozen or even closed (I really don’t know). I see no use (and no right) in covering Russian cinema after the horror of Bucha, Mariupol and many other cities of Ukraine. One of my Ukranian friends wrote on Facebook, that Russian culture has a moral obligation to be silent for at least 10 years only reflecting its imperial essence and exploring of the roots of evil manifested by the Russian army in Ukraine (and before Ukraine in Chechnya, Georgia and many other places of the former empire). I agree with him.

As thousands of Russians I left the country after being arrested during an anti-war rally in Saint Petersburg on February 27. After the first days of intense anti-war protests, no possibility left even to call the current war a “war” publicly and not risking to be arrested with a potential of a 15 years term in prison due to a new “anti-fake’ law (officially it’s not a war, but a “special operation”). People who had no chance to leave the country are now checking their clothes for yellow and blue (the colors of the Ukrainian flag) before going out, as far as the police arresting people dressed in these two colors or wearing a greed band (symbol of protest) or something white-blue-white (a project for a new Russian flag without it’s blood-red bottom stripe). Anyone with any poster in hands with any text (or even without text, sometimes people just use 8 stars — *** ***** — which means “no to war’, “нет войне”) are being captured by police in seconds. People are being fired or/and arrested for spreading any information about this war on the internet. The price of a protest still low (a penalty or few weeks in prison), but tortures and humiliation is not a rare thing at the police stations and two arrests in a row would lead to a stronger punishment. And we don’t know how the repressive machine will act in a couple of months.

So, they are doing everything to shut down any protest. But people are still protesting and getting arrested every single day.

Surprisingly for many (but not for me) the most powerful, creative and organized ant-war movement in Russia nowadyas is a Feminist Anti-War Resistance emerged on Feb 25, the second day of war. Their telegram group includes 30 000 readers and participants, inventing more and more forms of protest on a daily basis, absorbing upcoming ideas of anonymous activists from dozens of Russian cities. They’re successfully trying to break through the lies broadcasted by the state propaganda by changing price tags in the supermarkets with anti-war messages, writing “no to war” on banknotes and contracting improvised memorials marked with a burial crosses in their yards. They are wearing black clothes each Friday (and also being arrested for that), supporting the strike fund (unfortunately no strikes yet), publishing evidence from Ukrainian women and inspiring readers to invent their own forms of protest. There are some public figures behind the FAR-group such as Daria Serenko, a poet, and Ella Rossman, a scholar (both are outside of Russia), but the movement is constructed as a horizontal no-leader organization easy to join only by willing to join.

Why the Feminist Anti-War Resistance is so successful (not in stopping this war by now, but in giving hope to many)? Russian authorities have been erasing all forms of political protest for years, but the growing feminist movement was never taken seriously by the men in power. The state ignored the demands of laws protecting women from the domestic violence or representation of women in power structures (or even on screen). Feminists were pariahs in mainstream media, and film industry, and literature circles and everywhere else. They were mocked by elites and constantly persecuted by far-right villains. But for all these years they (we) were raising their (ours) voice against violence and creating networks. Russian feminists already knew the enemy Ukraine is facing today: Russian militarism and imperial chauvinism they’re facing for years. Russian feminists know very well how all forms of violence are interconnected.

I really don’t know the future. I just want the war to be over and I don’t even bother with the Russian future or even with my own future. But every time I open the FAR channel on telegram I think that we may still have some future.

Нет войне.

Maria Kuvshinova (1978), Russian film critic from Saint Petersburg. Cofounder of KKBBD.com

Update on WIFTI Summit 2022

Update on WIFTI Summit 2022

WIFTI Summit 2022
August 30th, 31st 2022 · WIFTI Summit 2022

Celebrating Women in Film & Television International’s 25 year anniversary, the 2022 WIFTI Summit will take place as an online event happening from Lagos/Nigeria on August 30th and 31st, 2022.

This year’s WIFTI summit is the first one on the African continent ever and it will be part of the African Creative Market (ACM), an event that brings major stakeholders in the African and international creative industries together for creative trade. Due to Covid-19, the WIFTI Summit will be held as an online event with a delegation of WIFTI members in Lagos while our members of WIFT chapters all over the world connect online for talks, networking, panels etc. 

His Imperial Majesty the Ooni of Ife is supporting the WIFTI Summit as we explore cross-cultural storytelling.

Our ongoing goal for the annual WIFTI event is to strengthen every single member within our thriving global network so the programming of the 2022 Summit will be as inclusive and multifaceted as always while honoring our 25th anniversary. 

Further details about the program will be communicated through all WIFT channels once final schedules are confirmed. Meanwhile, please save the date. 

Dear Filmmakers All Over The World

Dear Filmmakers All Over The World

wifti worldwide webinar bhutan
Dear Filmmakers All Over The World

We are all shocked by Russia’s brutal attack on independent Ukraine, but our indignation should be backed up by concrete, responsible help for our Ukrainian sisters and brothers. Poland has become a natural place of refuge for many of them. Among them are also professionals working in film industry, majority of whom are women. They need a housing, food, basic necessities and also mental health services. In the future, we need to help them to return to work in their professions.

Polish film organizations are trying to provide help on an ongoing basis and work in cooperation with Ukrainian friends. First of all, our sisters and brothers need to rest. They often wait up to four days at the border. We are creating a list of organizations, companies and individuals that can provide refugees with temporary and later permanent housing. We are also creating a database of those who can later hire them in various film professions, who can also provide language lessons and professional skills for other markets. The Polish film industry is relatively small, so the help of filmmakers from all over the world will certainly be needed.

Many inhabitants of Ukraine fled as they were, without documents and money. We can help with the process of immigration paperwork now, even if they would like to move on.

We must remember that there are many filmmakers in Ukraine who do not want to flee. Who want to stay in Ukraine and provide us with documentary eyewitness accounts, cataloging the impact of the Russian invasion. Knowing how many influential people there are in the film world, they write from bunkers in their cities hoping to be heard and appealing to the whole world for help. They count on film industry leaders to pressure on international organizations and politicians, not to wait for the destruction of their country. They plea for support in making Ukraine a member of the European Union and NATO, and not succumb to the blackmail of the Russian President, Vladimir Putin.

We will send you a list of specific needs and addresses to which you can submit offers of your assistance.

Attached you will find the appeal of Ukrainian filmmakers from the Kyiv metro.

On behalf of Women in Film Poland

Renata Czarnkowska-Listoś

President

 

 

WIFTI Worldwide Webinar with WIFT Bhutan

WIFTI Worldwide Webinar with WIFT Bhutan

wifti worldwide webinar bhutan
WIFTI Worldwide Webinar in collaboration with WIFT Bhutan

Women filmmakers make up only a tiny percentage of the whole industry in Bhutan; they are also less visible and marginalized within a male-dominated field.

Being Bhutan’s first female director, Karma Deki faced many challenges and fortunately, this propelled her to initiate Bhutanese Women in Film and Television to support women in the industry and to amplify their voices and work.

Her dream is to support every woman working in the film industry by highlighting women’s achievements, providing professional development support, and advocating for equity and women’s empowerment in this male-dominated industry.

Meet the inspiring women that are making films and advocating for women’s filmmaking craft in Bhutan!

February 21, 10am Central European Time / 3pm Bhutanese Time

Sign up here!

Namgay Zam is an independent journalist, and also the Executive Director of the Journalists’ Association of Bhutan. She has more than a decade’s experience in all forms of media. Zam is a trainer and consultant for media and gender issues. She is a mental health advocate and an LGBTIQ ally as well. Zam is a Young Asia Leader and a Fulbright Humphrey Fellow.

Nyema Zam is the Founder and CEO of Samuh, the first of its kind OTT platform in Bhutan. She is a communication and media specialist with over two decades of experience in Media.  She has worked with the National Broadcaster of Bhutan, BBS as a News Anchor, News Editor and as the Head of Marketing and Public Relation Division. She has also worked as a media and communication consultant for UNDP Bhutan, Tourism Council of Bhutan and Ministry of Economic Affairs. Nyema has a masters degree in strategic communications from the University of Western Australia and is passionate about collaborating with a wide range of agencies and communities in developing an inclusive creative eco-system in Bhutan. She is a mother to two teenage boys and loves reading, travelling and listening to music during her free time.

Sonam Yangzom is one of the few women filmmaker in Bhutan. She is a videographer, video editor, director and documentary filmmaker. She has devoted most of her career in film making. Her documentary, The Curse has won the Best Documentary in  American Academy of Neurology 2016 and best documentary in Beskop Tshechu. Her documentary Lyonpo Ugyen Tshering’s milestones and Parkinson won the best documentary award in Bhutan Film Festival, 2017.

Excellence in Craft on International Women’s Day 2022

Excellence in Craft on International Women’s Day 2022

excellence in craft

Excellence in Craft with WIFT Australia on International Women’s Day 2022

Excellence in Craft is back in 2022 with a Mexican bang! (Watch out, new date!)

In this masterclass we’ll meet with Argentinian/Australian Leticia Cáceres who is a writer and director for both stage and screen. Most recently she directed six episodes of the drama series Bump for the Australian streamer Stan. She will be in conversation with Mexican/American writer/director Katina Medina Mora (Emily in Paris, Firefly Lane, Selena) who will share with us some of her journey from the independent Mexican film industry, to shooting with Lily Collins in Paris for Netflix. What she has learnt, what not to do and what the future holds for her. Some of the burning and delicate questions that they’ll touch on are: who gets to direct big budget shows for the large streamers? How to navigate when you’re pigeonholed as a creator? Does your heritage and nationality always make you the best filmmaker of your culture’s stories, or can other creators take that role on without being ridiculed and scrutinised?

All of this and much more awaits on this International Women’s Day special of Excellence in Craft in collaboration with WIFTI and WIFT Australia (Queensland chapter).

Thursday, March 3 at 3pm Mexico – 9pm London 

Friday, March 4 at 7am Brisbane – 8am Sydney

Sign up here!

 

Leticia is a filmmaker and a multi award-winning stage director. Leticia has directed two blocks of Stan’s hit original series Bump (series 1 and 2) produced by Roadshow Rough Diamond.  Bump broke viewing records for Stan in its first season and went on to screen globally through broadcasters The CW (USA), BBC iPlayer (UK)  HBOMax (Latin America) and Canada’s CBC Gem. 

In 2022 Leticia is set to direct the stage adaption of Anne Deveson’s memoir Tell Me I’m Here for Belvoir St Theatre.

Born in Pittsburgh in 1980, Katina was raised and lives in México City.

Katina studied at The London Film School with a Master in Direction. Her first film, LuTo, shot in 15 days on a micro-budget (10,000 dollars in production) was selected for Los Cabos Film Festival and won a prize for Digital Distribution, was presented at other festivals. Now it’s on Netflix worldwide.

For TV, she directed two episodes on the TV series “The Search” for Netflix. She also directed 5 episodes on the TV series “Selena”, a number 1 show on Netflix, and last year she directed two episodes for “Emily in Paris”, also a number 1 show for Netflix and nominated for the Golden Globes in 2020 and the Emmys in 2021. Recently she directed 2 episodes for Firefly Lane also for Netflix.

Her third feature film “La Espera” is going to be shot this March 2022, this is produced by the well-known producer Inna Payan and has attached for the main character the Oscar nominated Marina de Tavira. She is developing her fourth feature “Will” set in Texas with Ricardo Chavira attached as the lead.

Annual WIFTI Event @Berlinale

Annual WIFTI Event @Berlinale

wifti berlinale
Annual WIFTI Event @Berlinale 2022

Humor is an essential part of the most successful content of the film and TV industry. To laugh is a lot of fun. It unites people, it gives audiences a great time. However – to create great humor isn’t always a walk in the park. To be funny can be a serious and challenging business. Time to look into the roles of women who create the things that brighten our days with laughter and fun.

Meet comedy experts for a personal conversation!

At our annual Berlinale event, WIFT Germany and many international WIFT Chapters are hosting sessions with small groups featuring their local talent and experts on anything comedy in our industry.

Starting with quick keynotes by our inter-/national experts from different fields in our industry: writing, directing, composing, acting, casting, producing etc., you will have the opportunity to discuss your most pressing questions with them directly.

You are cordially invited to join us to expand your personal network and to have a good time!

February 12th 2022, 5.00pm-6.30pm

Sign up here!

 

wifti berlinale